While Scott Snyder's work on Batman has made him immensely popular among readers, the title that he first made his name on, and possibly the one most important to him, is American Vampire, his creator-owned series for Vertigo. Written by Snyder and illustrated by co-creator Rafael Albuquerque, American Vampire is the tale of Pearl, an aspiring actress turned into an ageless vampire in the 1920s. Through the lens of Pearl and her life, Snyder and Albuquerque explore the rise of America, from the 1920s up to, eventually, the present day.
The Eisner Award-winning series has been on hiatus since issue #34 in January, but to help fill the void for readers, Vertigo is releasing anAmerican Vampire anthology, with nine short stories from an impressive line up of creators: Greg Rucka, Becky Cloonan, Jason Aaron, John Paul Leon, Francesco Francavilla, Gail Simone, Jeff Lemire, Gabriel Bá, Fábio Moon, Declan Shalvey and more. You can check out the full lineup, plus preview art from the issue, below.
Sometimes a writer and an artist bring out the best in each other. Greg Rucka would probably tell you how fortunate he's been to work with several especially fantastic artists throughout his career: JH Williams III, Yoshitaka Amano, and Steve Lieber, just to name a few. Likewise, Michael Lark has been paired with some excellent writers like Ed Brubaker and Dean Motter. But Rucka and Lark may be at their best when working together, as they did on the neo-classic Gotham Central, so it was no surprise that last year's announcement of Lazarus, their new series from Image Comics, was met with significant praise from readers, critics, and other creators alike.
Like Brian K. Vaughan and Fiona Staples' Saga, Lazarus was the kind of comic book that seemed destined to be critically lauded even before anyone read it. Image Comics, knowing what it had on its hands, marketed the book at every opportunity, releasing artwork well in advance as well as a short story set in the Lazarus universe. But all the early praise did give me some pause. I love what both creators have accomplished together, but sometimes reality can't live up to the hype, even when everything looks good on paper (so-to-speak). But I can confirm Lazarus #1 is a success. Let's take a look at why.
I'm a simple man with simple tastes. I'm also a critic, and that means that I obsess over my simple tastes in an attempt to both quantify them and convince myself that they aren't simple. But at the same time
Greg Rucka joined the Image Comics panel on Sunday to discuss his and artist Michael Lark's upcoming Lazarus, first announced by Image Comics Editor-in-Chief Eric Stephenson at last year's San Diego Comic Con. Previously, only a a teaser image had been shown, but at yesterday's panel the publisher revealed
Greg Rucka has been talking about what was behind his decision to leave DC a couple of years ago, and how he feels about the end of his tenure on Marvel's Punisher - as well as his feelings about both companies' current attitude towards creators in general. Spoiler: He's not very much in favor of the way things are.In an interview with Clint Magazine,
Marvel wrapped up its weekend of San Diego Comic-Con announcements on Sunday afternoon with a panel dedicated to its friendliest of neighborhood heroes: Spider-Man. Director of Publicity Arune Singh moderated the panel and was joined on stage by Marvel talent scout C
Comic-Con 2012 has featured a few big announcements from several publishers. Not to be outdone, Image dropped a few of their own. At their panel on Saturday, Editor-in-Chief EricStephenson was joined on stage by Matt Fraction, Joe Casey, Darick Robertson, Kelly Sue DeConnick, Howard Chaykin, Chris Roberson, James Robinson and Greg Rucka, each of whom will be doing new projects for the publisher in the coming year.
Stephenson opened the panel by himself and announced a f
On sale this week from Marvel Comics is The Punisher #3, continuing Greg Rucka and Marco Checchetto & Matt Hollingsworth's compelling new take on the vicious vigilante. In keeping with the series' focus on the external effects of Frank Castle's bru
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