The Marvel Comics line is about mid-way through its giant line-wide crossover event Secret Wars, in which reality has been rewritten by god-emperor Doom, and the heroes have been re-imagined more than a dozen times over in different domains paying tribute to stories from throughout Marvel's publishing history.
One of those domains is a version of House of M, another reality-rewriting crossover event that cast the Marvel heroes in different roles, which ran ten years ago. House of M launched the current era of Marvel events, kicking off a steady steam of universe-shaking storylines that continues into Secret Wars. To mark the tenth anniversary of House of M, and ten years of event-driven storytelling, we're asking you to determine which of these events was the very best.
When the DC Universe came out of Convergence, one of the biggest changes came from Superman. Not only was the Man of Steel back in the t-shirt and jeans look that he was rocking back at the start of the New 52, but his secret identity as Clark Kent had been exposed, leaving new writer Gene Luen Yang and returning artist John Romita Jr. to explain just how that went down.
It's a big change in the status quo, so to find out more, ComicsAlliance spoke to Yang about taking on the world's first superhero, collaborating with one of his favorite artists, and changing the dynamics between Clark, Jimmy Olsen and Lois Lane.
Created by Marv Wolfman and George Perez, Cyborg has slowly moved up the ranks in the DC Universe, growing from Teen Titan into a fully-fledged member of the Justice League. To mark the launch of his new solo series from David F. Walker, Ivan Reis, Joe Prado and Adriano Lucas, we've collected some of the best Cyborg art ever.
This week's rumors that Selma director Ava DuVernay had signed on to direct a Black Panther movie were a bit premature (though talks apparently continue), but the excitement that surrounded the news confirmed one thing: People really want to see Wakandan King T'Challa on the big screen, and they want to see him done right.
Here's some of the best art featuring T'Challa from the past five decades, from Kirby, Denys Cowan and John Buscema, to Francesco Francavilla, Olivier Coipel, and the best fan art around.
Back in February, digital book subscription service Scribd made the rather surprising announcement that it would start offering comics from publishers including Marvel, Valiant, IDW, Boom and others in its $8.99 per month subscription, making it a sort of Netflix for comics (as well as books).
Now, Scribd is promoting the actual Netflix's new Daredevil series by recommending some of the comics on its service that can best introduce readers to the character. They've got some pretty good ones. Check out what Scribd is suggesting as a primer after the jump.
For day four, we look at the high-ranking uniforms of the Captains Marvel, with our pick of the best costume for each major character to bear the title --- four of them from Marvel and one from Fawcett (via DC). How does Carol Danvers' cosplay-favorite flight-suit stack up against the big red cheese's fancily embellished union suit?
I think we can all agree that if there's one problem with Superman, it's that he doesn't have enough powers. Now, at long last, this glaring oversight is about to be remedied.
In this week's Superman #38, Geoff Johns, John Romita Jr., Klaus Janson and Laura Martin are adding another weapon to the Man of Steel's arsenal for the never-ending battle against the forces of evil, and on top of that, a new costume to go along with it. As for just what that new power is, all we really have is a name provided by an infographic sent over by DC Comics: Super Flare. The good news is that art chosen for the infographic gives us a look at what this new power might involve, but the bad news is that the infographic is woefully incomplete.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.com on Mondays.
This week, Chris and Matt talk at length about the five concurrent stories in Geoff Johns and Doug Mahnke's Justice League #31, using Superman #32, by Johns and John Romita Jr., as a measuring stick for comparison. Once that examination is all over, they pivot to Michel Fiffe's Copra #15.
To say that I've been a pretty vocal critic of a lot of the stories that Geoff Johns has written over the past decade is putting it pretty mildly, but I was holding out a lot of hope for what he and John Romita Jr. would do on Superman when they took over the book with this week's issue. I mean, the last time Johns was the writer of a Superman book, it was with a run on Action Comics that had a thrilling cross-time adventure with the Legion of Super-Heroes; one of the best Brainiac stories ever; and a story where Superman briefly got the power of Superman Vision, a red-blue-yellow beam from his eyes that turned whoever it hit into Superman. It was fun, exciting and new in a way that Superman stories are always criticized for never being, and if Johns could return to that kind of storytelling alongside an artist that I love as much as I love Romita, I wanted to be there to read it.
With Superman #32, Johns and Romita have in fact captured a little bit of that magic. This inaugural issue is loud, it's bright, it's honest in the way that Superman needs to be, and it's definitely exciting.
The only real problem is that while it does its level best to be new, a lot of what this first issue does feels like it's going back over ground that we've already been walking on pretty recently.
Influential Marvel Comics artist John Romita Jr. begins his run on Superman with writer Geoff Johns this week, and while you'd expect this would just be another notch in the incredibly accomplished artist's belt (he's drawn popular runs with virtually every major Marvel character you can think of) he's apparently pretty intimidated by the prospect of taking on the very first comic book superhero.
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