With hundreds of panels to choose from at San Diego Comic-Con, the show can be an overwhelming experience — and it’s far too easy to miss a panel you think you might have loved, or to find yourself on the wrong side of the con floor five minutes before a great panel is about to start!
Take heart, brave reader. ComicsAlliance has sifted through the schedule to offer up our pick of the best programming at the con. Today we offer our suggested highlights for day three, Saturday July 26, 2014 — with an emphasis on comics programming. We’ll also let you know where and when you can find ComicsAlliance contributors at the San Diego show.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cartoonist Lucy Knisley attended both the Art Institute of Chicago and the Center for Cartoon Studies. She's written two graphic novels, French Milk and Relish, the latter of which was a New York Times bestseller. She's also worked for many comics publishers including Boom! and Marvel.
In mid-September of 2011, cartoonist Lucy Knisley and her friend Jane, who worked in the wine business in France, were at a tasting after-party when their host observed they both had unconventional careers. He put this down to the fact that they were in their "age of license," that time in your life when you're young and free enough to experiment.
Knisley took the phrase for the title of her next book, one of the two travelogues that Fantagraphics will be publishing. An Age of License, due this fall, chronicles a 2011 trip to attend a Norwegian comics convention, which Knisley uses to visit friends and family in Europe, and spend an extremely intense time with Henrik, a Swedish boy she had just met in New York. The second book, Displacement, is scheduled for summer of next year, and tells the story of a 2012 cruise with her elderly grandparents.
Both trips took place between the time she had completed Relish, her acclaimed, three-years-in-the-making memoir about food and growing up, but before First Second had published it in 2013, which seemingly catapulted the young, not-yet-thirty artist into a whole new level of cartooning success than she had been able to achieve with her previous work, like the 2008 travelogue French Milk and her mini-comics and anthology contributions.
The two new travelogues obviously aren't due in comics shops any time soon, but that doesn't mean the announcement didn't get a lot of folks excited, us included. We took the opportunity to talk to Knisley about the books, how they compare to her previously published work and what we can look forward to from them.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by future stars, some of it's created by talented fans, and some of it's endearingly silly. All of it's awesome. In honor of this year's 75th anniversary of the first appearance of Superman and this weekend's release of Man of Steel, we present for the second time a compilation of some of the coolest portraits of Jerry Siegel and Joe Shuster's brilliant creation that we've highlighted in this feature over the last few years. We know it's cheating but we didn't count on going away for a month and then coming back in the middle of a big media event. All-new next week evermore.
The front cover of Relish: My Life in the Kitchen, the new memoir by Lucy Knisley of French Milk fame, bears a pretty killer blurb from Alison Bechdel, whose years of Dykes to Watch Out For and her breakout hit Fun Home have made her something akin to the grand dame of memoir comics: "Step aside, Joy of Cooking."
Bechdel's blurb may be more braggadocio than brass tacks. Irma S. Rombauer's iconic, seminal cookbook isn't going anywhere,
Have you ever tried to explain what webcomics are to an acquaintance, co-worker or complete stranger and failed miserably? Well, the PBS Off Book webseries may have just saved you like half an hour of self-doubt with its concise "The Rise of Web Comics" short. Running a little less than 8 m
If you expected Adventure Time's protagonist and noted last human on Ooo to adopt better bathing habits just by virtue of getting gender-swapped, you'd better think again. This week's Adventure Time With Fionna & Cake #2 backup
It's always bittersweet when a beloved mini-series wraps up, and Boom! Studios' Adventure Time: Marceline and the Scream Queens #6 is no exception. Fortunately for fans, the final issue in the mini only amps up the radness with a concluding tale by series writer and artist Meredith Gran and this issue's backup story by Rich Tommaso. Marceline and her band are hardly The Lan
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