This year mark's the 50th anniversary of the MAD fold-in, created by legendary cartoonist Al Jaffee. For the last half century nearly every issue of MAD has featured the fold-in, with every single one created by Jaffee. It's an extraordinary achievement in an extraordinary career, and Jaffee sat down in an interview with ABC News to discuss the process of creating the feature each month, and the one fold-in in 50 years that the magazine had to say no to.
It's hard to work out how Robot Chicken creative director and increasingly busy comic book writer Kevin Shinick found the time to complete 100 episodes of Mad for Warner Bros. Animation, but he did it, and it's an accomplishment he and the studio are celebrating with a double-sized anniversary show tonight on Cartoon Network. Perhaps most enticingly for ComicsAlliance readers, the episode's centerpiece is what's surely to be a biting Man of Steel parody starring "Weird Al" Yankovic as Superman and Henry Winkler as Jor-El.
Devised and written by (and usually starring) Shinick, the Mad cartoon is, in his words, the magazine brought to life in animation. It's a bold statement but honestly Shinick isn't wrong. Besides just being very funny, Mad translates the venerable humor magazine's signature irreverence, silliness and other naughtiness for television, segueing from one sketch to another with animated page tears and everything. The series actually employs some of the cartoonists who continue to define the voice of Mad, including Sergio Aragonés, who contributes all-new in-the-margins strips that find their way into every episode, as do topical film and television parodies, fake commercials and, of course, Spy vs. Spy. In every case, sketches are presented in visual styles reminiscent of Mad masters like Don Martin, Mort Drucker and Al Jaffee, and by way of different animation techniques such as Flash, stop-motion and puppets, to further honor the stylistic diversity of the magazine. But the series updates the magazine's scope for the extremely memetic world of today, going all-in on mashups (the ThunderLOLcats comes immediately to mind) and other highly bloggable jokes.
That any contemporary animated series makes it to 100 episodes is remarkable, but Mad has the additional distinction of being explicitly based on a comics magazine -- and with the help of that comics magazine's current contributors like Aragones and Tom Richmond -- makes the Emmy-nominated series that much more interesting. It's obvious from talking to Shinick (who's also writing Superior Carnage for Marvel) that the mantle of Mad is hugely important to him. In the following interview you'll find out why that is, as well as an inside look at Mad's impressive production workflow, Shinick's philosophy about comedic content for children, and what else to expect from tonight's 100th episode.
Longtime MAD Magazine artist Sergio Aragones is well known for how much stuff he can get on a page -- he's been filling the magazine's margins for decades. So just imagine what he could do with a gigantic pullout poster!
Well, you don't have to imagine it. Aragones has condensed more than 60 years of MAD history in one big image for Entertainment Weekly.
Celebrated comedian and actor Jonathan Winters passed away last week at the age of 87. The extremely popular and versatile performer was perhaps best known for his role in the television series Mork and Mindy and the comedy film classic It's a Mad, Mad, Mad, Mad World. For the latter, Winters released a come
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