Writer Jason Aaron has carved out his own super-opera on Marvel's Wolverine And The X-Men title, somehow enduring the vicissitudes of crossovers and events and even a line-wide relaunch (that paradoxically left the nineteen-month-old, thirty-one-issue book one of Marvel's longest running titles, and Aaron himself with the distinction of having produced one of the publisher's longest uninterrupted runs by a single writer). And he seems to be having a lot of fun.
I love Wolverine and the X-Men. I've said before that it's as close to my idea of what the X-Men should be as anything else I've ever seen, but over the past three months, it's gotten even closer. The characterization is strong
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon. It was a busy a
On sale now from Marvel Comics is Wolverine & The X-Men #4, which, among other delightful things, contains the series' first pages by Nick Bradshaw. Part of the hit new series' artistic swing team, Bradshaw has the unenviable task of following the always excellent work of Chris Bachalo and Tim Townsend. But if you've read Wolverine & The X-Men #4,