If you've been reading ComicsAlliance for a while, then you probably already know that as soon as the calendar switches over to December, I start obsessively watching as many Christmas specials as I possibly can. Not just the big Rankin-Bass specials, either -- I do my best to watch out for the weird ones, like Christmas Comes to Pac-Land and that He-Man and She-Ra Christmas Special where Skeletor learns the true meaning of holiday magic. And every time I think I've exhausted the well of the obscure and bizarre, I end up finding something new.
Today, my (relatively) newfound love of Japanese tokusatsu shows led me to sit down with the Christmas episode of the 1971 Kamen Rider TV series, and I'll tell you right now: It's not like any holiday special I've ever seen. Largely because the title for the episode is "WEREWOLF MONSTER'S HUGE MURDER PARTY."
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
Q: Can you tell us about Kamen Rider Fourze? I understand if it's too painful to discuss. -- @Desgardes
A:Kamen Rider Fourze is the single best piece of superhero mass media in the past ten years. And considering that the past ten years also brought us stuff like The Dark Knight, Batman: The Brave and the Bold and that Avengers movie that everybody likes, that's no small thing for me to say.
As for how I know this -- and why Des here refers to it as a painful subject -- it's because the final episode of Kamen Rider Fourze made me cry harder than anything else I've ever seen. That last episode of Brave and the Bold put tears in my eyes, yes, but Fourze had me sobbing so hard that my neighbors started building an ark and gathering up all the beasts of the land in pairs lest my tears cause a flood that wiped away the sins of man.
Following a run of single issue releases this past spring and summer, Archaia's modern adaptation of Shotaro Ishinomori'sclassic Cyborg 009is set to get collected hardcover style on September 11. Written by F.J. DeSanto (The Spirit, Immortals: Gods and Heroes) and Bradley Cramp (Gattaca, Lord of War) and featuring the artwork of illustrator Marcus To (Batwing,Red Robin) and colorist Ian Herring (Jim Henson’s Tale of Sand), the 120 page hardcover works to retain the spirit and central concepts of Ishinomori's original narrative about a team of humans turned into agents of war against their will, with contemporary touches. The HC itself even comes dressed with an acetate dust jacket and layered cover art to let readers peel their way through its titular hero to (literally) see just what makes the character tick.
Lately, you may have noticed that the staff here at ComicsAlliance has been getting into the work of legendary manga creator Shotaro Ishinomori, creator of Kamen Rider, Cyborg 009, Skull Man and the pretty amazingly named Robot Detective. Sadly, Ishinomori died in 1998, but today would've b
More than eighteen months after it was almost destroyed by an earthquake, the Ishinomori Manga Museum in Miyagi Prefecture, Japan dedicated to the life and work of famed manga creator Shotaro Ishinomori has re-opened for business.The Museum -- which resembles one
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