Q: What is Stan Lee's actual legacy? -- @TheMikeLawrence
A: I don't think there could be a more complicated subject to tackle in a single column than this one, because as an industry and as an art form, I think we all have a lot of complicated feelings about Stan Lee. Depending on who you ask, when you ask them and what he's been up to lately, he's a conniving credit-stealer, a shameless self-promotion machine, a "driven little man who dreams of having it all!!!" and got it by coasting on the hard work of others, or he's a charismatic innovator who got put into that spotlight because he's a natural showman, a smiling ambassador of the medium and everybody's friendly comics grandpa. And it's further complicated because you can't really talk about him without talking about collaborators like Jack Kirby and Steve Ditko, either.
That's what makes him hard to talk about, even if you've spent nearly your entire life being aware of him. There's just so much to get through that's filtered through so many angles, and as a result, I genuinely think that he's simultaneously the most overrated and underrated creator of all time.
He is one of the original Marvel architects. He is a legend of American horror comics. His works directly inspired one of the most enduring products of the graphic novel era. He was present for the birth of the indie superhero comic. He was among the first generation of comic book fans to become comic book professionals. He is revered, he is despised, and he would be glanced upon askance, frequently, were he agreeable to public exhibition of himself, which he is not.
He is Steve Ditko, aged 85. He has been drawing comics for over half a century.
And in the past five years alone, he has written, drawn, lettered and co-published eighteen issues of original comic books -- over 500 pages of completely new art -- which almost nobody has read.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by future stars, some of it's created by talented fans, and some of it's endearingly silly. All of it's awesome. In honor of this year's 75th anniversary of the first appearance of Superman and this weekend's release of Man of Steel, we present for the second time a compilation of some of the coolest portraits of Jerry Siegel and Joe Shuster's brilliant creation that we've highlighted in this feature over the last few years. We know it's cheating but we didn't count on going away for a month and then coming back in the middle of a big media event. All-new next week evermore.
Most fans know Steve Ditko as the artist who co-created Spider-Man with Stan Lee, but his career in comics and the wider world of illustration not only could fill dozens of tomes, but, well, totally does fill several tomes! The latest look inside the prolific artist's portfolio comes via IDW's new Steve Ditko's Monsters, Vol. 1: Gorgo collection by Ditko and writer Joe Gill. Curated, edited and designed by Craig Yoe, the 224-page hardcover showcase
The Creeper isn't the greatest Steve Ditko creation, and it's not even the most Ditko-esque. (Maybe those are the same things.) But one thing the Creeper comics have going for them is that they follow their own unse
Famously reclusive and unwilling to do interviews, Spider-Man co-creator Steve Ditko has nonetheless long shared his side of the story concerning the creation of Marvel's friendly-neighborhood wall-crawler in a series of essays appeared in small-press comics and zines. His latest, "The Silent Self-Deceivers," has just been released, asking what exactly Sta
Today is Steve Ditko's 85th birthday, and in celebration, we here at ComicsAlliance wanted to share a few of our favorite pieces of his work. With decades of work on characters like Dr. Strange, Hawk and Dov
In the beginning, Peter Parker was fifteen years old. He was too young for full manhood, but too old to be treated like a child. He was coddled by his family and abused by his peers. He was a beloved nephew and professional wallflower, a bitter bookworm and great student
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