The original Captain America was the creation of Joe Simon and Jack Kirby, first appearing in March 1941's Captain America Comics #1 from Timely Comics, the company that would later become Marvel Comics. The book made waves from day one by featuring the title character punching Adolf Hitler over a year before the United States declared war on the Axis powers.
Since that time, Captain America has had an illustrious career as the Avengers' most famous leader, but also as something like the moral center of the Marvel universe. We've picked ten of the very best Captain America stories by some of his many notable creative teams.
Today sees the launch of the new Batwoman solo ongoing series, scripted by Marguerite Bennett, co-plotted by Bennett and James Tynion IV, with art by Steve Epting and colors by Jeremy Cox. At least I'm counting this as the launch, even though Batwoman Rebirth came out last month. That book was a great prologue to this series, but it's immediately clear that the new book is where the story really gets moving.
This week sees the release of Detective Comics #948, the first part of "Batwoman Begins," a two-part story that leads into the upcoming Batwoman solo series. That series will be scripted by Marguerite Bennett with art by Steve Epting, so Bennett has joined scripter James Tynion IV as co-plotter on this Detective story, featuring art by Ben Oliver, and Tynion in turn will co-plot Batwoman.
ComicsAlliance sat down with Bennett and Tynion to talk about who Kate Kane is, how she's different from Bruce Wayne, and why it's important to fill the DC Universe with queer characters --- including a new transgender character who will be introduced in this story.
This Magazine Kills Fascists looks at times that comic books and superheroes have dealt with tyrannical, corrupt and outright fascist world leaders — not because we think we can find a solution, but because art can provide inspiration in the face of oppression.
This week we’re looking at a Captain America story that serves up corporate corruption, Russian meddling in US elections, and out-and-out Nazis, in one unsavory package.
Batwoman's returning to her own solo ongoing in 2017, written by Marguerite Bennett with art by Steve Epting.
This is about as exciting a creative team as Batwoman could possibly have. Bennett already writes an alternate version of Kate Kane in DC Comics Bombshells, and in that and her other books like Insexts and Angela: Queen of Hell, she has not only proven herself to be one of the most talented young writers on the rise, she's also shown a particular interest in portraying the lives of queer women, all of which makes her the ideal choice for Batwoman.
Yesterday saw the announcement of this year's Eisner Award nominees, and Image Comics came away from it with a huge portion of the nominations, highlighting comics such as Sexcastle, Bitch Planet and Southern Bastards. To celebrate, Image is putting on a huge digital sale that features all of its nominated titles, reduced in both their single issue format and collected editions.
This week's rumors that Selma director Ava DuVernay had signed on to direct a Black Panther movie were a bit premature (though talks apparently continue), but the excitement that surrounded the news confirmed one thing: People really want to see Wakandan King T'Challa on the big screen, and they want to see him done right.
Here's some of the best art featuring T'Challa from the past five decades, from Kirby, Denys Cowan and John Buscema, to Francesco Francavilla, Olivier Coipel, and the best fan art around.
If there's one problem that we as comics readers all share, it's that we just have too much money. Sure, we keep trying to give it to publishers and creators, but sometimes there just aren't enough comics to buy, and that's why we always need more great books out there to pick up. Fortunately, the good folks over at Comixology are doing their best to make that as easy as possible, and this week, those efforts are taking the form of the Image Comics "New Hits" Sale.
A ton of great new Image books like Southern Bastards, The Wicked + The Divine, Velvet, Burn the Orphanage and more have seen their first few issues dropped down to 99 cents each, and on top of that, there's a bundle of 20 first issues for just fifteen bucks.
You might have heard that there's a new Captain Americamovie coming out on April 4. If Marvel's marketing department has gotten its way, this news may very well be tattooed on the inside of your eyelids in phosphorescent ink. Let's say, however, you've never read any Captain America comics before, but now that he's been legitimized as a multi-million dollar film franchise, you're suddenly very interested in that dude with little wings on his head carrying around one of Uncle Sam's rims.
Since being created by Jack Kirby and Joe Simon all the way back in 1941, the hero also known as the Sentinel of Liberty has passed through the hands of some eminently talented writers, artists and editors. Some of these creative teams depicted Cap's adventures for a few months -- some of them for a few years -- before passing the torch to the next creators to keep the flame (or trademark) alive. In comic books, these tenures are called "runs," "series" or "eras," and they're the readers' way of distinguishing one era of a character's saga from the next. Chances are you're not sure where to dive into a a publishing legacy that's spanned more than 70 years, so here is a list, in chronological order, of the Sentinel of Liberty's 10 most interesting and influential comic book runs.
When Ed Brubaker and Steve Epting relaunched Captain America in 2004, they came to the book eager to return the elements of espionage that had been largely absent from the title for years. While most of what we remember are the big events – Bucky’s return, Steve Rogers’ assassination – it was really the spy aspect that drove the story, the behind-the-scenes machinations that made the book so incredibly tense. Now, with Velvet #1 from Image Comics, the team reunite (with Bettie Breitweiser on colors) for another trip into the shadows, a taut thriller about spies, double-crosses, and a middle-aged secretary who’s much more dangerous than she seems to be.
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