Comics artist Wilfredo Torres' wife recently passed away from cancer. You may know Torres from some of the great work he's done over the last year on The Shadow, Batman '66, Jupiter's Circle, and on covers for the King Features line at Dynamite. To support Torres and his family in their time of grief, several comics creators have decided to raise funds by auctioning off pieces of art. They'll all be posting links on how to buy their work using the hashtag #TorresBenefit on social media. All are welcome to participate, either by bidding on art or by auctioning their art.
Costume design is one of the great strengths of the superhero genre, a way to establish distinctive visual shorthand for a character and reveal key details about concept, purpose, and personality. But which is the best superhero costume of all time? This month, we’re asking you to decide, by voting up your favorites and voting down the rest. When we have your votes, we’ll compile a list of the greatest super-costumes of all time.
For our seventh day of polls, we're looking at the designs of some of the most celebrated pulp heroes ever to grace the comics page. They don't have to have originated in comics, or to have originated in the pulp era, and they don't have to wear a domino mask or a red scarf or a gun belt. But it does look pretty cool when they do. Or does it?
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
A good number of of the old comics which continue to influence the aesthetic interests of this website were first discovered by me in 2001, during an epic quest into the deepest, darkest parts of the convention floor at San Diego Comic-Con. I'd pledged to identify and purchase as many hardcover collections, paperbacks, graphic novels or other comics-with-spines as I could, so long as they were things I'd never heard of before (this was very easy to do for a child of the '90s, since Wizard was unlikely to devote any time to anything useful like that). I bought so many comics that year that even today, some remain in my "unread" pile.
One of the books I discovered was The Shadow: 1941, a hardcover graphic novel by the great Denny O'Neil and Michael Kaluta with Russ Heath and Mark Chiarello, published by Marvel. Despite the auspicious pedigree of its creators, I'd never heard of the book, had no idea Marvel ever published Shadow comics, and didn't really know anything about the character anyway. As such, it was exactly the sort of forgotten, out-of-print gem I was looking for.
Subtitled Hitler's Astrologer, this Shadow book is exactly the dark, globe-trotting adventure of war and mysticism that its title and cover suggest. It's a gorgeous pleasure of a comic book, and more than two decades since it was originally released, Dynamite Entertainment are reissuing it this week.
Matt Wagner's next journey into the violent and beautiful world of his signature creation, Grendel, will be in the form of a crossover issue with a character almost as close to the cartoonist's heart: The Shadow. The three-issue prestige format series (48 pages each) will be published by Dynamite Entertainment and finds Wagner's iconic anti-hero Hunter Rose -- a creature of the late 20th century -- traveling back in a time to the 1930s, where he will encounter the Shadow in what if nothing else will be an uncommonly well drawn and designed comic book.
Leading up to the start of Comic-Con, Dynamite Entertainment has already made a few big announcements, and this morning the publisher made what might be the biggest so far: Howard Chaykin has signed with Dynamite as writer and artist on an upcoming miniseries The Shadow: Midnight in Moscow. This will be Chaykin's first new story about the legendary pulp character in nearly thirty years.
There's Loki news and more to read in today's Link Ink.
I'm starting to get the feeling that Garth Ennis doesn't like heroes very much. I don't mean superheroes, either. His ambivalence toward the spandex set is well-established and can easily be taken as read at this point. But heroes? The men and women we've built up to be larger than life and forces for good, immaculately moral and righteous? I'm starting to notice that he's pushing away from that concept in his work more and more often. He treats heroes like we would treat stereotypes or urban legends. He wants to debunk our idea of a hero, and it shows in his work.
Batman doesn't use guns. It's kind of his deal, one of the defining aspects of his character that's been in place for over 70 years, despite the book's ties to the trigger-happy worlds of pulp vigilantes and noir detective stories. So why not? Well, the
Dynamite Entertainment got really real last weekend at New York Comic-Con, coming out swinging with numerous new projects from an impressive roster of mainstream creators who've been given free rein on brand new series. Among them, Rick Remende