Over the past 10 years, Francesco Francavilla emerged as one of the most unique and prolific artists of this generation, with a slew of credits at almost every major publisher and fans clamoring to see his gorgeous style on their favorite characters. Earlier this year, Mondo hosted a special gallery show celebrating his milestone. A frequent collaborator with the Austin art house, Francavilla will also be appearing at this weekend's MondoCon. ComicsAlliance caught up with Francavilla ahead of the event for a retrospective of his first decade in comics.
Ever since Dynamite picked up the license to Will Eisner's The Spirit, it has been doing some pretty interesting stuff. Matt Wagner and Dan Schkade's "Who Killed The Spirit?" told a compelling story that was, as you might expect from the title, focused on the main character's absence. Now, though, Dynamite is kicking off 2017 with an all-new five-issue series from Francesco Francavilla.
Artist, author, historian, agent, activist, businessman: Denis Kitchen, born August 27, 1946, has worn all these hats (and a number of others) over the course of his storied career. He's worked with many of comics' finest artists, brought lost classics back into the public eye, written definitive texts on some of the medium's most important creators, and laid the groundwork for countless alternative publishers. On top of all that, he's the founder of the Comic Book Legal Defense Fund, an organization that works to ensure full First Amendment protection for comic creators, retailers, and readers.
Everyone loves comic book trivia, but with over 75 years of superhero comics behind us right now, there’s always some new obscure fact to learn. That’s why ComicsAlliance is going deep into the minutiae of your favorite names in comics in our continuing video series. You think you know comics? Well, here’s a few things you might not know!
This week we're taking a look at one of the most highly regarded and influential comics of all time, Will Eisner's The Spirit.
Today in 1940, newspaper readers in Philadelphia, Chicago, and a handful of other major US cities opened their newspapers to find something unusual --- a new color comic supplement that, rather than appearing in the usual tabloid dimensions of the Sunday funnies, was effectively a comic book unto itself. A dapper gentleman in a blue suit grinned out from the first panel, his visage floating over a graveyard and a distant cityscape.
The story that followed was a quick read, the tale of Detective Denny Colt who is apparently killed by the villainous Dr. Cobra, but cheats death thanks to being soaked in some mysterious chemical, and brings the evildoer to justice as the mysterious Spirit.
The American comic book would not be what it is today without Will Eisner. A relentless innovator who initiated vital changes at crucial points in the medium's history and left behind a lifetime of literary art, Eisner has directly or indirectly influenced everyone who followed him. Born March 6, 1917 in Brooklyn New York, Will Eisner changed the world of sequential art, and it's only appropriate that we celebrate his comics, his accomplishments, and his spirit.
Comic creator. Playwright. Historian. Screenwriter. Political commentator. Novelist. Illustrator. Educator. Cartoonist. Jules Feiffer has worn all these hats and more over his storied career, and in the process, become one of the most influential, versatile, and celebrated figures that the comics medium has ever known.
He's won an Oscar, a Pulitzer, an Obie, and received numerous lifetime achievement awards. He's written acclaimed R-rated movies, produced one of the first proper graphic novels, authored a long-running and hugely popular comic strip, and provided the art for one of the true classics of children's literature. His 1965 book The Great Comic Book Heroes pioneered the concept of reprinting classic comic book stories in a high-quality format, and is generally acknowledged as the first major historical work about the comic book industry. And he still produces vital and groundbreaking work today, some seventy years after taking on his first professional comics job.
Any look back over Alan Moore's career is likely to overlook a lot of really great comics. Beyond the usual works that are typically rattled off as the highlights of his career are British works that never got big in America, independent comics that never got wide distribution, and reams of short stories that have fallen between the cracks. You might have read a few of them, but they're all worth a look.
Alan Moore's greatest hits include Watchmen, Saga of the Swamp Thing, From Hell, Marvelman, The Killing Joke, V for Vendetta, Tom Strong, Supreme, Top Ten, Promethea, the hundreds of pages of The League of Extraordinary Gentlemen, and a couple of the best Superman stories of all time, but as this list proves, there's a lot more to Moore.
Costume design is one of the great strengths of the superhero genre, a way to establish distinctive visual shorthand for a character and reveal key details about concept, purpose, and personality. But which is the best superhero costume of all time? This month, we’re asking you to decide, by voting up your favorites and voting down the rest. When we have your votes, we’ll compile a list of the greatest super-costumes of all time.
For our seventh day of polls, we're looking at the designs of some of the most celebrated pulp heroes ever to grace the comics page. They don't have to have originated in comics, or to have originated in the pulp era, and they don't have to wear a domino mask or a red scarf or a gun belt. But it does look pretty cool when they do. Or does it?
Every now and then, an announcement comes along that seems so perfectly natural that you start to wonder why it hasn't happened before. Case in point: Dynamite announced today that they are reviving Will Eisner's The Spirit as an ongoing series written and drawn by Matt Wagner, set to launch at this year's Comic-Con International in San Diego.
The Spirit is, of course, one of the most groundbreaking comics of all time, originally appearing as a newspaper strip that in many ways reads like it was 20 years ahead of its time (while also, it should be noted, featuring the problematic elements of its era). With over 30 years of experience writing and drawing some of the best comics around, Wagner is a natural choice to put his spin on the character.