Q: Batman RIP: What's going on in this book? I like Morrison, but I do not follow the plot. -- @daingercomics
A: My friend, you have come to the right place. I generally think Grant Morrison gets a bad rap for writing superhero stories that are too complex --- a complaint that you see about almost everything he writes going all the way back to "Rock of Ages" in JLA, and probably back to Animal Man if you go looking for it --- but R.I.P. is a story with a whole lot of moving parts that can be pretty hard to keep track of unless you're the kind of person who has been obsessing over the details of 75 years of Batman comics for their entire life.
Fortunately for you, that's exactly what I am, which is one of the reasons that Batman R.I.P. is probably my favorite Batman story of all time.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at Batman.
Thumb through DC Comics' new releases this week and you'll find the above image -- a teaser for the upcoming Batman: Eternal weekly series -- in the back pages of a good many of them (all the books I saw, in fact).
I had to look up the artist who drew it. It's Detective Comics artist Jason Fabok, but it could just as easily be Tony Daniel, David Finch, Guillem March, Ivan Reis, Adrian Syaf, or a handful of other current DC artists. Like it or not, this is, with a few exceptions, just how DC Comics look now.
Formally announced earlier this week, September will see every title in DC Comics' "New 52" superhero line temporarily rebranded in the idiom of of the publisher's legion of super-villains. Among them will be June's Batman/Superman #3.1, whose villain de jour will be Doomsday in a story written by Greg Pak (Marvel's Hercules, Vision Machine) and drawn by Brett Booth (Nightwing). Tony S. Daniel provides the cover, which you're seeing here for the first time (it will be sold in the 3D motion style seen here).
On the day Grant Morrison's final issue as writer of Action Comics is hitting the stands at comic shops, his successor, Andy Diggle, announced via Twitter he's leaving the book for "professional reasons." The news comes prior to next month's release of Diggle and a
Following Grant Morrison, Rags Morales, Brent Anderson, Gene Ha, Brad Walker, ChrisCross, Cully Hamner, Cafu, Andy Kubert, Rick Bryant, Travel Foreman, Chris Sprouse and Sholly Fisch's 18-issue run, writer Andy Diggle and artist Tony Daniel will take over Action Comics beginning with issue #19 in April. So far, judging from
If you're as unfamiliar with it as I was about a week ago, SyFy's reality show Face Off pits makeup artists against one another in character design and creation battles. Most of the time, those battles involve whipping up some movie s
DC Comics made a couple of unexpected announcements Friday afternoon, revealing high-profile new assignments for veteran writer Ann Nocenti, one of only two women writers working on the publisher's DCU line of comics at the moment, and artist-turned-writer/artist Tony S
DC Comics and Amy Reeder have confirmed that the artist will no longer draw issues #9-11 of Batwoman. Instead, Trevor McCarthy will handle those issues before series co-writer and co-artist J.H. Williams III returns to the rotation with August's issue #12 as planned. On her Facebook p
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