While DC Comics has been killing it in a number of areas since the launch of its Rebirth initiative, one area that perhaps hasn't been getting enough attention is the amazing variant covers the publisher is putting out. From Tim Sale providing monthly covers on Batman to Jenny Frisson's upcoming work on Wonder Woman, DC has been going all out with some beautiful variants.
The publisher has provided ComicsAlliance with an exclusive first look at the Action Comics cover for late-October and variants for Action Comics, Detective Comics, The Vigilante: Southland and Batman Beyond.
This week marked the final issue of Batman & Robin Eternal, and while we're still close enough to it that the honeymoon has barely even started, let alone ended, I'm pretty sure that I can declare it to be my all-time favorite weekly DC project.
The shorter run benefited the project, but it was the story that made this comic great. It weaved its way through Batman's long history of sidekicks --- a history that pretty much introduced the very concept of sidekicks to the world of superhero comics --- and ended up looking at Batman, Robin, and what those characters mean, in a way that I'm not sure any other story has.
DC Comics hosted a special livestream event at WonderCon in Los Angeles on Saturday afternoon to unveil the creative teams behind its DC Rebirth event, which relaunches the entire DC Universe line with new issue #1s and multiple double-shipping titles. The relaunch will set the future course of DC Comics at a time when fans are wondering whether the company will embrace a new and diversifying audience or double down on serving a shrinking core audience.
The event was introduced by DC All Access host Tiffany Smith, with DC co-publishers Jim Lee and Dan DiDio and chief creative officer and Rebirth chief architect Geoff Johns introducing and interviewing the creative teams as they joined them on stage at the Los Angeles Convention Center.
October traditionally marks the end of the summer con season, when retailers, creators and exhibitors return to their caves for hibernation, secure in the knowledge that they have done everything they can to promote their wares. But before we all get our rest, the fitful sleep before the rattling of chains in January that signals the first email about registering for San Diego, there's one last stop: New York Comic-Con, coming at you on October 8 through 11, complete with a very fun roster of variant covers!
In addition to getting Andy Kubert's art for Dark Knight III on the cover of the con program, DC is marking the occasion by offering up six exclusive variants that you can grab at the Javits Center next month. But if you're not going to be there, don't worry too much: You can check 'em out right here.
Q: Batman RIP: What's going on in this book? I like Morrison, but I do not follow the plot. -- @daingercomics
A: My friend, you have come to the right place. I generally think Grant Morrison gets a bad rap for writing superhero stories that are too complex --- a complaint that you see about almost everything he writes going all the way back to "Rock of Ages" in JLA, and probably back to Animal Man if you go looking for it --- but R.I.P. is a story with a whole lot of moving parts that can be pretty hard to keep track of unless you're the kind of person who has been obsessing over the details of 75 years of Batman comics for their entire life.
Fortunately for you, that's exactly what I am, which is one of the reasons that Batman R.I.P. is probably my favorite Batman story of all time.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at Batman.
Thumb through DC Comics' new releases this week and you'll find the above image -- a teaser for the upcoming Batman: Eternal weekly series -- in the back pages of a good many of them (all the books I saw, in fact).
I had to look up the artist who drew it. It's Detective Comics artist Jason Fabok, but it could just as easily be Tony Daniel, David Finch, Guillem March, Ivan Reis, Adrian Syaf, or a handful of other current DC artists. Like it or not, this is, with a few exceptions, just how DC Comics look now.
Formally announced earlier this week, September will see every title in DC Comics' "New 52" superhero line temporarily rebranded in the idiom of of the publisher's legion of super-villains. Among them will be June's Batman/Superman #3.1, whose villain de jour will be Doomsday in a story written by Greg Pak (Marvel's Hercules, Vision Machine) and drawn by Brett Booth (Nightwing). Tony S. Daniel provides the cover, which you're seeing here for the first time (it will be sold in the 3D motion style seen here).
On the day Grant Morrison's final issue as writer of Action Comics is hitting the stands at comic shops, his successor, Andy Diggle, announced via Twitter he's leaving the book for "professional reasons...
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