In the 1990s, Warren Ellis and Darick Robertson foresaw a future of twisted behavior, renegade politics, and uncontrollable technology in Transmetropolitan. We’re revisiting the series book by book, because in a time of unrest and uncertainty we could all use some Filthy Assistance.
Lonely City shows the City finding its way into the spring, enduring as best as it can while Spider and his gang take stock and try to get back to work. Then the bottom drops out of the world as they catch a glimpse of just how bad the incoming President is going to be, while bodies start to pile up and the truth gets cut off at the knees…
In the fourth volume of Transmet, "The New Scum," the election turns upside down, the storytelling shifts to accommodate a traumatic event, and we settle the question once and for all: is the current POTUS the Beast, or the Smiler?
Colleen Doran made her first comic when she was twelve, and she's still writing and drawing it today. A Distant Soil stands apart as a unique project within the comics sphere; an epic longform story that has spanned decades in the real-world, and yet remained contemporary and compelling.
Doran has also worked at Marvel and DC, and collaborated with writers including Neil Gaiman and Warren Ellis. Along the way she's gained many admirers, but also vocal critics who tried to push her out of the industry. ComicsAlliance looks back over some of the milestones of her career, to chart how she became one of the most acclaimed artists in the industry today.
At the time Netflix first confirmed an animated Castlevania series on its roster, it was a fair question how the animated venture might handle the video game franchise’s gorier elements. Well, if the first official poster is any indication, things are going to get real red, real fast.
It’s election season in book three of Transmetropolitan, "Year Of The Bastard," and the worst sicknesses of politics are bubbling to the surface. There’s reactionary monsters in suits, there’s heartbreak for Spider, and there’s the hot question of the moment: which politician in Transmet most resembles the current US head of state, and is the answer less obvious than it appears?
Q: Why aren't the Wildstorm characters a comfortable fit in the modern, edgier DC Universe? — @jdkrach
A: With Warren Ellis and Jon Davis Hunt reviving it in the pages of The Wild Storm --- and with characters like Midnighter and Apollo experiencing some of their best stories ever in the core DC Universe right now --- it seems like the WildStorm characters have been on everyone's mind lately. And Real talk? I kinda love the WildStorm Universe.
It's a universe built on an interesting twist on what it means to be a superhero, shaped by creators like Alan Moore, Warren Ellis, Ed Brubaker, and Adam Warren, a roster of world-builders that somehow came together beautifully to make it all work. But the flipside to that is that a lot of what I love about it comes from the nature of the universe itself, and when you remove them from that kind of thematic setting, it makes it a lot harder for them to fit anywhere else.
On February 16, 1968 in Essex, England, Warren Ellis materialized fully-formed, flicked a lit cigarette at the world, and went off to write brilliant comics, essays and stories that read like compressed and condensed versions of the man himself, full of all the prescience, bile, and heart that flows out of this creative giant.
This week's debut of The Wild Storm is pretty interesting for a lot of reasons, but chief among them is the return of Warren Ellis to the superhero universe that he helped to shape into the setting of some of the most compelling superhero stories of the past 20 years. Well, kind of a return, I suppose, but while the new series is a reboot from the ground up, there's definitely a history there. And with that history, as ever, comes a sale on Comixology.
Every month, Comixology adds more titles to its burgeoning all-you-can-eat subscription service Comixology Unlimited, which allows readers access to a virtual library of comics for a flat monthly fee. February’s update goes live today, and the service is set to be bolstered by a new wave of awesome comics for you to peruse, including Danger Girl, Harbinger Wars and Lady Snowblood.
Comics are too expensive, and run for too long, and are basically evil super operas that cost a dollar for every half second we read them. You can't miss an issue, or else you're out of the loop for it all, but that also means that almost nothing happens in each comic, so you might as well wait for the graphic novel collection, but oh wait, if you do that it increases the odds of the comic being cancelled! Comics are great, but also completely broken.
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