I love Sleepy Hollow, and while my favorite thing about the show is definitely the character moments between Ichabod and Abbie -- especially Ichabod's continuing frustration with life in the 21st century -- I really love all the bad guys, too. Shape-shifting succubi, zombie cops, actual satans and, of course, a headless horseman who walks around blowing things away with an M-16 in each hand like he's holding the bridge at Gjallerbru. They're great, and this week in Boom's Sleepy Hollow comic, Marguerite Bennett and Jorge Coelho are adding a new and terrifying villain to the roster as Ichabod and Abbie fight... a tree.
Noelle Stevenson is the future. Nimona, her celebrated and fantastical webcomic about a villain's shapeshifting sidekick, will be published as a graphic novel by HarperCollins in 2015; Lumberjanes, the Boom Studios series about a group of girl adventurers that she co-writes with Grace Ellis, has been promoted from miniseries to ongoing; Marvel has just announced that she's writing a story for the upcoming Thor Annual #1; and she's a writer on Disney’s Wander Over Yonder cartoon.
You're going to see a lot of Noelle Stevenson in the coming year. She's an outspoken, accomplished, and driven talent, and it's no surprise that everyone is suddenly taking notice. To better understand one of the industry’s most promising talents, ComicsAlliance sat down with Stevenson to talk about the indie scene, going legit, and the trials of a changing industry.
Some of you may remember that Lumberjanes, easily one of our favorite comics of the year, was originally slated to be an eight-issue miniseries. Fortunately for everyone, it was upgraded to an ongoing by virtue of being completely rad, but next week marks the release of the eighth issue of the series from Noelle Stevenson, Grace Ellis and Brooke Allen, closing out the first arc of friendship, merit badges, and creepy, creepy woods. And as you might expect for the start of a final chapter, things are not looking so good for our heroines.
Listen, I love Big Trouble In Little China more than most people love their children, but I think we all have to admit that in the movie, Miao Yin isn't exactly a great character. She spends almost the entire film kidnapped, and while that's to be expected in a movie made in the grand tradition of '80s action where 90% of the focus is on intentionally half-baked tough guy talk from Kurt Russel, but still. I think she speaks somewhere in the neighborhood of zero words in that movie, and that's a shame.
Fortunately, we have comics, and as we all know, comic books fix everything. In this week's BTILC #6, John Carpenter, Eric Powell, Brian Churilla, Lisa Moore and Ed Dukeshire are putting Wang's lady love front and center, kicking off the issue with a scene where she beats the living heck out of a bunch of demons -- who may or may not actually just be kindly merchants.
For most of a certain generation, the TV show Fraggle Rock is a beloved childhood memory. Beyond its basic and undeniable Henson charm, it was also a show with a lot of smart, complex lessons for kids and adults. For this reason -- as well as because some of those children have now grown up to be parents -- it's no surprise that comics publisher Archaia jumped at the chance to publish Fraggle comics.
Now that Archaia is a part of Boom Studios, the publisher's approach to Fraggle comics has shifted a little, with the first-ever Fraggle Rock comic miniseries, Fraggle Rock: Journey to the Everspring. Written by Kate Leth and drawn by Jake Myler, it's the longest Fraggle comic yet. ComicsAlliance sat down with thes creators to talk about making Fraggle comics, working with Henson, creating new characters, and, of course, their favorite Fraggles.
One of the lesser explored stanchions of the Western genre is the fairly consistent notion of the dominant invading culture moving into indigenous lands and, over time, brutally removing said peoples from that land. Usually our focus is so narrow within the genre that we rarely realize that this is exactly what is happening. The dreaded “Indian raids” of many a John Ford classic are lensed so thoroughly through the perspective of the white-faced hero or anti-hero that an audience can’t help but miss the absurdity of maligning sovereign nations responding to mass invasions by another sovereign nation. Go try and start a mass migration into Putin’s Russia and see how that goes for you.
I bring this up because Sergio Toppi’s The Collector is acutely focused on this precise issue. The collection of stories which make up this stunning tome from Archaia all occur on the knife’s edge of colonialism and western expansion -- and almost without fail, Toppi’s Collector sides with the invaded side rather than with colonizers the way his forebears -- and, really, antecedents -- might.
This week, Boom! Studios announced Curb Stomp, a new four-issue miniseries from the team of Ryan Ferrier, Devaki Neogi and Neil Lalonde. Taking place in a city divided up by four gangs, Curb Stomp shows what happens when the five women who make up one of those gangs, the Fever, are pushed into a war by an act of violence meant to defend their turf. On sale in February, issue one comes with cover art by Tula Lotay, Trevor Hairsine and Marie Bergeron.
Curb Stomp arrives in the midst of comics readers' increasingly vocal desire for more diverse stories featuring women protagonists. Boom! has been attempting to service this audience with books like Lumberjanes, Bee and Puppycat and Butterfly, and Curb Stomp would seem to speak to the call for more strong, action-based heroines in particular. With that in mind we spoke to Ferrier and Neogi about the feeling that they're trying to get from the series, the challenge of designing characters for a life of brutal violence, and just why it is that the gang is called "The Fever."
I like sword-and-sorcery fantasy adventure as much as the next person who spent a significant portion of their life reading about dark elves with lavender eyes and twin scimitars, but let's be honest here: It is not a genre that is without problems. As engaging as those stories can be, there just isn't as much focus on characters who are lazy and super into butts.
Fortunately, Madéleine Flores has brought the world Help Us Great Warrior, a story about the small, somewhat lumpy Great Warrior, who embodies those traits while also venturing on epic quests to save the world. Now, it's coming to Boom! Box in the form of an eight-issue limited series, set for release in February.
Next month Boom Studios releases the first issue of Escape From New York, the latest title from the publisher to present a sequel to one of John Carpenter's cult-classic '80s movies -- following on the heels of the popular Big Trouble In Little China series.
The publisher has hand-picked an excellent creative team to follow in the film's footsteps and put Snake Plissken through his post-apocalyptic paces, in the form of Eisner-nominated High Crimes writer Christopher Sebela and acclaimed Irredeemable artist Diego Barreto. ComicsAlliance spoke to Sebela about his plans for the book, his affinity for the source material, and the experience of adapting such a well-loved property to the comics medium.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
Fear, passion, beauty, love, and monsters. There's a feast of wonders in the best of October's comic book covers, with exceptional work from Becky Cloonan, Jorge Molina, Megan Hutchison, Kyla Vanderklugt and more -- taking us to some extraordinary places, and showing us some incredible sights.