Contact Us

Interviews

Archie Comics Publicity Mastermind Alex Segura On Marketing, Management, And His Time At DC Comics

Archie Meets Kiss Alex Segura Interview
Francesco Francavilla

Interviews, panel appearances, fan mail -- artists and writers understandably get much of the focus when we talk about professionals in the American comics industry. But beyond the front lines there's a whole host of people working hard to keep the business running: accountants, lawyers, publicists, librarians, production staff and many others. Most of these people don't have the opportunity to talk about their work with the people who read the comics they help put in their hands, but the work they do is important -- often integral -- to this industry. Whether it's making sure creators get paid, designing logos, or even planning a convention, these people affect how the whole package of our industry comes together.

In the first of what we've planned as a series of spotlights on the behind-the-scenes comics pros, we're speaking with Alex Segura, Archie Comics' Senior Vice President - Publicity and Marketing. Segura started his career in comics as a journalist but has spent nearly a decade doing publicity at DC Comics and Archie, the latter of which has been especially praised by this site and others for revitalizing its brand. One of the architects of the new Archie Comics, Segura sat down with us to talk about how he ended up as a publicist and what exactly that job entails.

Read More

No Reason Not To Do Both: Cartoonist Kel McDonald On Web Vs. Print [Interview]

aaron2

Kel McDonald has been making comics for ten years, including a ten year run on her webcomic Sorcery 101. She was an early adopter of crowdfunding as a way of getting her comics out in print, and book one of McDonald's Misfits of Avalon series came out earlier this year through Dark Horse Comics. As increasing numbers of young, particularly female comics creators turn to webcomics as a way of getting their work out there, and as increasing numbers of comics publishers look to webcomics for up-and-coming talent, creators like McDonald are poised to have a unique understanding of the current comics world we live in

As part of her wrap-up of Sorcery 101, she's currently running a Kickstarter campaign for an omnibus of the series. ComicsAlliance sat down with McDonald to talk comics, crowdfunding, and web versus print.

Read More

‘Andre The Giant’ Cartoonist Box Brown Talks Wrestling, Fact-Checking, And Adapting Real Life For Comics

CA_AndreHeader

Earlier this year, First Second released Box Brown's Andre The Giant: Life And Legend – a graphic novel biography of the wrestling legend that immediately jumped onto the New York Times bestseller list, and has been met with great acclaim from wrestling fans and comics critics alike. Our own Chris Sims described the book thusly:

"It shows Andre as a person. Not the giant with a dubious fifteen-year undefeated streak, not as the monster who was bodyslammed by Hulk Hogan at WrestleMania III, not as the absent father that was put on blast by A Current Affair shortly before his death, and not even as the drinker and prankster behind the scenes in the world of wrestling. It shows him as all of those, as a person whose life was larger than everyone’s, but whose flaws were no bigger or smaller than anyone else’s. It makes the Giant relatable without ever undermining him. There’s a love in this book, but there’s an honesty, too, and it comes through in every scene..."

Recently, we got the chance to sit down and speak with Brown about the culture of professional wrestling, his artistic approach to comics, and how he went about adapting Andre's outsized life for a graphic novel.

Read More

Books That Feel Real: Spike Trotman On ‘Poorcraft 2′ And Building An Indie Comics Empire [Interview]

Untitled-1

Comic book publishing is a difficult world to survive in, particularly for small and independent publishers. C. Spike Trotman and her Iron Circus Comics, however, has found a way to thrive. When we spoke with Trotman earlier this year for Hire This Woman, we spoke primarily about her role as a creator. Today, this is only a small part of the role Trotman plays in comics, as the slate of books from Iron Circus continues to increase.

As a publisher, Iron Circus places a high value on inclusivity and publishing books that are too often ignored in mainstream comics. To wit, the publisher has a currently-running Kickstarter for Poorcraft: Wish You Were Here written by Ryan Estrada and drawn by Diana Nock. The 130-page black and white book is the the followup to Trotmans original Poorcraft, and is available in a variety of formats at eminently sensible price/reward tiers.

With less than one week left to pledge to the Kickstarter, we reconnected with Trotman to talk about webcomics, publishing, smut, and paying the bills.

Read More

Liz Prince Talks ‘Tomboy’, Internet Fame And The State Of Autobio Comics

Untitled-1

In her new memoir Tomboy, Liz Prince explores the thorny world of gender expression, puberty, and girlhood, as experienced by someone who bucked every norm of it. It’s not always an easy read, but it is one of the most necessary comics published this year.
Prince’s work is tender, wry, and above all, honest. It is this honesty that so illuminates her work, from the single travails of Alone Forever to her chronicles of the punk scene. As Tomboy makes the rounds of Best of 2014 lists, ComicsAlliance spoke with her about autobiography, internet fame, and being “not like other girls.”

Read More

Ed Brubaker Looks Back On Batman, Part Three: Catwoman

Catwoman by Darwyn Cooke and Ed Brubaker

With long runs on hit titles like Captain America, Daredevil, Sleeper, Fatale, Criminal and more, writer Ed Brubaker has cemented his position as one of the most prominent writers in American comics, and he got his start with superheroes with Batman. After being brought in from the world of crime comics to write the Batman comics in 2000, Brubaker rose to prominence with his work on Gotham City's heroes, including cowriting the seminal Gotham Central, relaunching Catwoman with a critically acclaimed and influential new direction, and retelling the first encounter between Batman and the Joker.

This week, ComicsAlliance is taking a look back at Brubaker's tenure on the Dark Knight with an in-depth interview. In part one, we discussed the writer's work with Scott McDaniel on Batman and his collaboration with Sean Phillips on the Elseworlds one-shot, Gotham Noir. In part two, we talked about Brubaker's run on Detective Comics, his landmark work with Greg Rucka and Michael Lark on Gotham Central, and his and Doug Mankhe's influential Joker story, The Man Who Laughs. Today we conclude our discussion by talking about his relaunch of Catwoman alongside Darwyn Cooke and Cameron Stewart, why he was worried that it would be a "poisoned chalice," and why it's one of the most significant comics in DC's long history.

Read More

Ed Brubaker Looks Back On Batman, Part Two: Gotham Central And The Man Who Laughs

Batman: The Man Who Laughs, Ed Brubaker and Doug Mahnke

With long runs on hit titles like Captain America, Daredevil, Sleeper, Fatale, Criminal and more, writer Ed Brubaker has cemented his position as one of the most prominent writers in American comics, and he got his start with superheroes with Batman. After being brought in from the world of crime comics to write the Batman comics in 2000, Brubaker rose to prominence with his work on Gotham City's heroes, including cowriting the seminal Gotham Central, relaunching Catwoman with a critically acclaimed and influential new direction, and retelling the first encounter between Batman and the Joker.

This week, ComicsAlliance is taking a look back at Brubaker's tenure on the Dark Knight with an in-depth interview, and today, we continue our discussion of his work on Detective Comics and focus on two of his most well-known projects: Batman: The Man Who Laughs and Gotham Central.

Read More

Ed Brubaker Looks Back On Batman, Part One: The Most Driven, Depressing, Exciting Character Of All Time

Batman by Ed Brubaker and Scott McDaniel

With long runs on hit titles like Captain America, Daredevil, Sleeper, Fatale, Criminal and more, writer Ed Brubaker has cemented his position as one of the most prominent writers in American comics, and he got his start with superheroes with Batman. After being brought in from the world of crime comics to write the Batman comics in 2001, Brubaker rose to prominence with his work on Gotham City's heroes, including cowriting the seminal Gotham Central, relaunching Catwoman with a critically acclaimed and influential new direction, and retelling the first encounter between Batman and the Joker.

This week, ComicsAlliance is taking a look back at Brubaker's tenure on the Dark Knight with an in-depth interview, and today, we start off with a look back at the writer's work on Batman and Detective Comics, discussing how he got the jobs, how Batman got him back into reading superhero comics, and the surprising character he picks out as a favorite.

Read More

I Wanted This To Be Dangerous: Black Mask’s Matt Pizzolo Talks ‘Godkiller’ And Pushing The Limits Of Comics [Interview]

GodkillerHeader

Since co-founding Black Mask Studios with 30 Days Of Night writer Steve Niles and Epitaph Records owner (and legendary punk musician) Brett Gurewitz in 2012, Matt Pizzolo has established the company as a home for all manner of genre-busting, boundary-pushing comic books – their initial slate included the all-star Occupy Comics project, Darick Robertson and Adam Mortimer's hyper-violent sci-fi series Ballistic, Matt Miner's animal-liberation vigilante yarn Liberator, and Matthew Rosenberg and Ghostface Killah's 12 Reasons To Die.

Black Mask is now in the process of launching their second wave of titles, and first out the gate is Pizzolo's return to the role of comic creator, collaborating with artist Anna Muckcracker Wieszczyk on a new incarnation of his dystopian multi-media Godkiller project. Upon its release last month, Godkiller: Walk Among Us #1 became Black Mask's first ever title to go to a second-printing, and with #2 hitting comic shop shelves this week, we sat down to talk to Pizzolo about the inspirations for the series, his collaborative process, and his vision for Black Mask as a creative and commercial endeavor.

Read More

Do Powers Make The Woman? ‘Strong Female Protagonist’ Creators On Superheroes And LARPing

Untitled-1

Brennan Lee Mulligan and Molly Ostertag, creators of the webcomic Strong Female Protagonist, are passion incarnate. They love their readers. They are ecstatic that Top Shelf has decided to distribute the successfully-Kickstarted first print volume of SFP. They are exasperated by the state of women in comics today. And they’re out to do something about it.

Through Alison Green, the eponymous strong female protagonist, Mulligan and Ostertag explore a world of stark imbalance—a world where our heroine, once a superhero, is now a disillusioned college student searching for truth in a complex world. Do powers make the woman? Does strength only come in one form?

ComicsAlliance sat down with Mulligan and Ostertag to discuss these questions, memories of LARP camp, making sure each and every henchman gets a backstory, and more.

Read More

It appears that you already have an account created within our VIP network of sites on . To keep your points and personal information safe, we need to verify that it's really you. To activate your account, please confirm your password. When you have confirmed your password, you will be able to log in through Facebook on both sites.

Forgot your password?

*Please note that your points, prizes and activities will not be shared between programs within our VIP network.

It appears that you already have an account on this site associated with . To connect your existing account with your Facebook account, just click on the account activation button below. You will maintain your existing profile and VIP program points. After you do this, you will be able to always log in to http://comicsalliance.com using your Facebook account.

*Please note that your points, prizes and activities will not be shared between programs within our VIP network.

Please fill out the information below to help us provide you a better experience.

Register on Comics Alliance quickly by logging in with your Facebook account. It's just as secure, and no password to remember!

Not a Member? Sign Up Here

Please solve this simple math problem to prove that you are a real person.

Register on Comics Alliance quickly by logging in with your Facebook account. It's just as secure, and no password to remember!