This past September, Vertigo launched Peter Milligan and Leandro Fernandez's nine-issue limited series The Names. It's the story of Katya Walker, a woman who finds herself searching for answers after her husband's apparent suicide and fighting for her life against a world-dominating techno-financial cabal known only as the Names. We last spoke with Milligan six months ago, just before The Names #1 was released, and now that the story has reached its halfway point, we're excited to follow up with another in-depth conversation about the series.
Nightwing is comics' hottest male superhero. His superior hotness is a fact so indisputable that, when we compiled our list of the 50 Sexiest Guys In Comics a while back, there was never any serious doubt that he would come out on top. His appeal is not only recognized by fans, but also by creators and even by publisher DC, which has been known to pander to his fans on several occasions. In an industry that doesn't generally make time for the female gaze, Dick Grayson has emerged as one of the medium's few male sex symbols.
But what is it about Dick Grayson that sets him apart among the macho mannequins of superhero comics? Is it his personality? His history? His character design? His butt? ComicsAlliance spoke to Dick Grayson experts Tim Seeley and Devin Grayson, and several of the character's fans, and undertook an intense study of the source material, to get to the lovely bottom of this great question.
With the publication of March Book Two this week, U.S. Rep. John Lewis and collaborators Andrew Aydin and Nate Powell continue to tell the tale of the Civil Rights movement of the 1960s from a personal, relatable perspective.
In the year and a half since the publication of March Book One, the graphic novel has won awards including the Robert F. Kennedy Book Award, and has become a classroom teaching tool for students in elementary school all the way up to college age. It's a remarkable work by and about a remarkable man, and ComicsAlliance was lucky enough to speak with Rep. Lewis about why he chose to tell the tale via graphic novel, the book's depictions of violence, forgiveness, and much more.
Cosmic Scoundrels was already one of my favorite comics before I even started reading it. The creation of artist Andy Suriano (of Samurai Jack) and Matt Chapman (the co-creator of Homestar Runner), it was the product of two creators whose work I've obsessed over more than just about anything else in the world, which made it something I was pretty much fated to love. Fortunately, it paid off with a rollicking, two-fisted space adventure of a couple of dirtbags in a ship called the S.S. Fistpuncher and one of the most ill-conceived heists in galactic history.
We recently honored the webcomic as part of our best-of-the-year awards, but to find out more about the origins and influences of Cosmic Scoundrels, I talked to Suirano and Chapman to find out how it all got started, why they printed it as a massive 11 x 17" convention exclusive, and just what Matt Chapman's favorite comics are, as well as getting an exclusive look at art from the development of the series.
Sex Criminals co-creator Chip Zdarsky and Infinite Kung Fu author Kagan McLeod plan to take readers to colorful, strange, and rather gay new worlds with their new Image ongoing title Kaptara this April. Announced by Zdarsky himself and Image publisher Eric Stephenson at the one-day Image Expo in San Francisco on Thursday, the book sees a waylaid earthman sent on an odyssey through peculiar worlds inspired by the action figures of the 1980s, on a mission to save his home planet.
The two Toronto-based writer-artists have known each other for years, and as they told ComicsAlliance, the roots of this collaboration go back to the studio they once shared. Kaptara is written by Zdarsky and illustrated in full color by McLeod, an acclaimed magazine illustrator making his return to comics. The story offers echoes of Flash Gordon and John Carter, and of Brian K. Vaughan and Fiona Staples' Saga, only... gayer. More gay. ComicsAlliance met with the team to find out just how gay, and to get the ball rolling on Motivational Orb mania.
Batman's 75th anniversary came during an incredibly eventful year for the Caped Crusader, and not just in terms of celebratory publications and commemorative events.
After former Vertigo editor Mark Doyle took over as Batman group editor in February, things changed, and not just for Batman himself. Supporting characters such as Dick Grayson and Barbara Gordon shifted into new roles. The world of Gotham expanded with books that focused on unexplored corners, like the GCPD's supernatural unit, or the city's mysterious prep school. Even the mainline Batman titles, Batman and Detective Comics, told bold stories that weren't typical Batman fare. Creators pushed into new territory and took chances with their books, and as a result the Batman line looks much different than it did at the beginning of 2014.
Mark Doyle deserves the credit for steering the line and bringing in the creators who made these changes. Comics Alliance sat down with Doyle and DC Editor-in-Chief Bob Harras to look back on Doyle's first year as Batman group editor, and to look ahead to 2015, as DC relocates to new offices in Burbank, California.
If you asked me to pick my favorite comics of the year, there's not even a question about it: Transformers vs. G.I. Joe would be at the top of the list. Even aside from my well-known love of America's daring, highly-trained special missions force, writer/artist Tom Scioli and co-writer John Barber have been doing something amazing with this book, creating an ongoing series combining two toy franchises that has the kind of raw, unstoppable energy that you almost never see from corporate comics.
Now, with the first volume of the series hitting shelves this week, I spoke to Scioli and Barber about how they created one of the most transgressive comics of the year, why they think of the Jose as "nasty, destructive creatures," and just how much more they want to push the book until it's as strange as they want it to be.
Interviews, panel appearances, fan mail -- artists and writers understandably get much of the focus when we talk about professionals in the American comics industry. But beyond the front lines there's a whole host of people working hard to keep the business running: accountants, lawyers, publicists, librarians, production staff and many others. Most of these people don't have the opportunity to talk about their work with the people who read the comics they help put in their hands, but the work they do is important -- often integral -- to this industry. Whether it's making sure creators get paid, designing logos, or even planning a convention, these people affect how the whole package of our industry comes together.
In the first of what we've planned as a series of spotlights on the behind-the-scenes comics pros, we're speaking with Alex Segura, Archie Comics' Senior Vice President - Publicity and Marketing. Segura started his career in comics as a journalist but has spent nearly a decade doing publicity at DC Comics and Archie, the latter of which has been especially praised by this site and others for revitalizing its brand. One of the architects of the new Archie Comics, Segura sat down with us to talk about how he ended up as a publicist and what exactly that job entails.
Kel McDonald has been making comics for ten years, including a ten year run on her webcomic Sorcery 101. She was an early adopter of crowdfunding as a way of getting her comics out in print, and book one of McDonald's Misfits of Avalon series came out earlier this year through Dark Horse Comics. As increasing numbers of young, particularly female comics creators turn to webcomics as a way of getting their work out there, and as increasing numbers of comics publishers look to webcomics for up-and-coming talent, creators like McDonald are poised to have a unique understanding of the current comics world we live in
As part of her wrap-up of Sorcery 101, she's currently running a Kickstarter campaign for an omnibus of the series. ComicsAlliance sat down with McDonald to talk comics, crowdfunding, and web versus print.
Earlier this year, First Second released Box Brown's Andre The Giant: Life And Legend – a graphic novel biography of the wrestling legend that immediately jumped onto the New York Times bestseller list, and has been met with great acclaim from wrestling fans and comics critics alike. Our own Chris Sims described the book thusly:
"It shows Andre as a person. Not the giant with a dubious fifteen-year undefeated streak, not as the monster who was bodyslammed by Hulk Hogan at WrestleMania III, not as the absent father that was put on blast by A Current Affair shortly before his death, and not even as the drinker and prankster behind the scenes in the world of wrestling. It shows him as all of those, as a person whose life was larger than everyone’s, but whose flaws were no bigger or smaller than anyone else’s. It makes the Giant relatable without ever undermining him. There’s a love in this book, but there’s an honesty, too, and it comes through in every scene..."
Recently, we got the chance to sit down and speak with Brown about the culture of professional wrestling, his artistic approach to comics, and how he went about adapting Andre's outsized life for a graphic novel.