As you know, straight men are the most persecuted group in the world today. They used to live in a utopia where everything was tailored to meet their needs, but that's changed. There's a female Ghostbusters movie coming out! The video game Rust randomly assigns gender! Two different Star Wars movies have female leads! And also, sometimes there are naked women on Game of Thrones that they don't want to bone!
The social justice warriors did all this, of course. They rode into town with their feminism and their rainbows, and they ruined everything, and suddenly people are expected to respect the essential humanity of all people. It's political correctness gone mad! But perhaps the greatest crime of the SJW agenda was that time people suggested that using a sexualized image of Spider-Woman by acclaimed erotic artist Milo Manara (a tribute to one of his own Penthouse Comix covers) to help promote a book courting female readers was inappropriate. It's censorship!
Thankfully Frank Cho was on hand to protect the struggling marginalized voices of men who want women's bodies to be used to sell products regardless of intended audience. And though that Manara cover came out two years ago, Cho hasn't given up the fight.
When Marvel announced its All-New, All-Different line-up at the start of July, it tried to keep a few secrets in reserve. Chief among them was the identity of the star of Greg Pak and Frank Cho's new Hulk title, Totally Awesome Hulk. It's a stategy that's worked for the publisher in the past, with the identity of the Red Hulk (Thunderbolt Ross) generating plenty of buzz; the company even repeated it without a Hulk, keeping the current Thor's alter ego under wraps for several months.
But with Totally Awesome Hulk, it was a bit of a strange decision. Everywhere you looked, people only had one serious guess about his identity; Amadeus Cho. Today, Marvel announced that... everyone's a winner! You get a Hulk, and you get a Hulk, and you get a Hulk!
The Marvel Comics line is about mid-way through its giant line-wide crossover event Secret Wars, in which reality has been rewritten by god-emperor Doom, and the heroes have been re-imagined more than a dozen times over in different domains paying tribute to stories from throughout Marvel's publishing history.
One of those domains is a version of House of M, another reality-rewriting crossover event that cast the Marvel heroes in different roles, which ran ten years ago. House of M launched the current era of Marvel events, kicking off a steady steam of universe-shaking storylines that continues into Secret Wars. To mark the tenth anniversary of House of M, and ten years of event-driven storytelling, we're asking you to determine which of these events was the very best.
If you needed any further proof that Marvel is now fully a part of the Walt Disney Company family, look no further than a new collaboration with ESPN (also a subsidiary of Disney).
A group of Marvel artists --- Alex Maleev, Sara Pichelli, Emanuela Lupacchino, Lenil Francis Yu, Frank Cho, Russell Dauterman, Mike Deodato, Jim Cheung and Greg Land --- have contributed original art of Daredevil, Captain Marvel, Medusa, Luke Cage, She-Hulk, Iron Fist, Iron Man, The Hulk and Ant-Man to a "superhero edition" of ESPN Magazine's famous "Body Issue," an annual celebration of athletic physiques (with lots of pictures of naked people).
This week's rumors that Selma director Ava DuVernay had signed on to direct a Black Panther movie were a bit premature (though talks apparently continue), but the excitement that surrounded the news confirmed one thing: People really want to see Wakandan King T'Challa on the big screen, and they want to see him done right.
Here's some of the best art featuring T'Challa from the past five decades, from Kirby, Denys Cowan and John Buscema, to Francesco Francavilla, Olivier Coipel, and the best fan art around.
You may have missed it, but last week Frank Cho posted an image he'd drawn on a sketch cover of Spider-Gwen in a pose reminiscent of the Milo Manara Spider-Woman cover that drew a lot of negative attention. Many people were grossed out by Cho's drawing, including Spider-Gwen artist Robbi Rodriguez, while others jumped to Cho's defense, like J. Scott Campbell and Rob Liefeld. What began as not that big of a deal turned into the latest hot mess to preoccupy the industry, so let's talk about outrage and complacency in comics.
Boom Studios has a reputation in the comics industry for publishing an increasingly diverse group of books and creators. This commitment to diversity in genre and people is reflected in an all-new initiative the publisher announced today in Previews with a letter from founder Ross Richie. While 2015 is the 10th anniversary of Boom, the publisher wants to talk about what's next rather than what's come before. They call this discussion of the future Push Comics Forward and they don't want it to be only about Boom.
Push Comics Forward is Boom's way of focusing on the ongoing conversation about diversity and the future of the industry. To learn more about this initiative and what to expect from Boom for the next ten years and beyond, we spoke with Editor-in-Chief Matt Gagnon.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Stan Sakai's Usagi Yojimbo is a favorite here at ComicsAlliance for a very good reason. For the past thirty years, it's been one of the most beautifully constructed comics on the stands, blending note-perfect character work with epic storytelling, building a world that feels real even when it's populated by wandering bunny rabbits and grumpy rhinos. Now, in celebration of the book's 30th anniversary, Dark Horse is putting out a massive tribute to Sakai and Usagi Yojimbo called The Sakai Project, with a roster of 262 creators paying tribute to one of comics' true masterpieces.
The Sakai Project will debut this week at Comic-Con International in San Diego, where it will be available at the Dark Horse booth for $29.99. All proceeds will go to Sakai and his wife, to help them with recent medical expenses. Check out the full roster of creators below!
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
In honor of this year’s 20th anniversary of the first appearance of Hellboy, the enduringly popular and endlessly entertaining ex-paranormal investigator created by Mike Mignola. One of comics' most idiosyncratic characters with a supporting cast to match, Hellboy is cited by many artists rivaling Batman as the most fun character to draw and reimagine in different styles. Throughout the existence of Best Art we've featured loads and loads of visions of Hellboy and his friends in the Bureau for Paranormal Research and Defense, and what follows is a compilation of some of our favorites.
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