A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month
November's covers include some superb compositions, some new twists on familiar iconography, a Catwoman, a Batgirl, and an enormous killer whale. Check out some excellent comic covers from familiar names like Michael Del Mundo and David Nakayama, and some new names for this column, like Butch Guice and David Rapoza.
I'll be honest, folks: I have very little interest in Future's End as a line-wide crossover. DC Comics' tactic of derailing their books into weird tangents every September, a tradition that goes back to the relaunch of the "New 52" universe, never quite works as well as I want it to, and when you throw in the fact that we're peering into the dim and distant future of a world that we've only actually had for three years, and, well, no thanks, I'm good. What really had me worried, though, was Grayson.
I've really been enjoying what Tom King, Tim Seeley and Stephen Mooney have been doing with this book over the first few issues, but as I think we all know, there's no faster way to derail a brand new comic's momentum than to drop it into a crossover after two months. I almost didn't bother to read it, but I'm glad I did. It turns out that King, Seeley and Mooney have taken their Future's End tie-in as an opportunity to produce one of the most enjoyable single issues I've read in a long while.
This week, Chris and Matt are talking at length about Futures End #1 by Brian Azzarello, Keith Giffen, Dan Jurgens, Jeff Lemire and Patrick Zircher, which continues the killing trend set off by the Free Comic Book Day #0 issue. Then they talk about Rat Queens #6 by Kurtis Wiebe and Roc Upchurch and Moon Knight #3 by Warren Ellis, Declan Shalvey and Jordie Bellaire!
So DC's Free Comic Book Day title this year is 20 pages of superheroes getting killed.
That's not a joke. That's actually what they're putting out as an enticement for readers who are going into comic book stores, looking to find out more about these characters at a time when superheroes are the most popular thing in the world, is a full-color comic promoting their new crossover, where characters are just murdered and mutilated for twenty solid pages. Oh, and someone gets an arm cut off, because if they didn't, how would you know it was a DC Comic from 2014?
Over the past few years, DC has fallen into the practice of dropping a "Teaser Image" for their upcoming major storyline every few months, and they really do the job. They're intriguing, and when readers see them, they get to talking about what all these pieces could mean, without ever really going back to see if anything panned out. It's a win for everyone
The last one we got was a Batman/First Thanksgiving-themed piece that hinted at the events of Batman Eternal -- which sounds really weird when you actually type it, but which definitely happened -- and now, we have an Escher-inspired tease at what might be happening in the upcoming FuturesEnd event, specifically The New 52: Futures End #0, which is due out for Free Comic Book Day this May 3. Have a look at the full-sized image below!
Welcome back to the ComicsAlliance podcast, covering the latest comic book entertainment news topics. Joining Senior Editors Andy Khouri and Caleb Goellner for this episode is CA writer Matt D. Wilson for a conversations about the the keynote address delivered by Image Comics Publisher Eric Stephenson to the ComicsPro Retailer Conference in Atlanta. Stephenson made a characteristically iconoclastic and not altogether unassailable presentation, urging retailers to become community leaders, abandon their support of gimmicky, high-priced publishing practices, and draw a distinction between good and bad comics.
We’ll contrast Stephenson’s remarks with those of Dan DiDio, his counterpart at DC Comics, one of the stop superhero publishers, who in an interview this week confirmed plans to double— even triple-down — on weekly comics, crossovers and 3D covers, publishing strategies that are seemingly exactly the sort of thing Stephenson that criticized.
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