A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month
November's covers include some superb compositions, some new twists on familiar iconography, a Catwoman, a Batgirl, and an enormous killer whale. Check out some excellent comic covers from familiar names like Michael Del Mundo and David Nakayama, and some new names for this column, like Butch Guice and David Rapoza.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
With hundreds of panels to choose from at San Diego Comic-Con, the show can be an overwhelming experience — and it’s far too easy to miss a panel you think you might have loved, or to find yourself on the wrong side of the con floor five minutes before a great panel is about to start!
Take heart, brave reader. ComicsAlliance has sifted through the schedule to offer up our pick of the best programming at the con. Today we offer our suggested highlights for day two, Friday July 25, 2014 — with an emphasis on comics programming. We’ll also let you know where and when you can find ComicsAlliance contributors at the San Diego show.
Redheads versus reptiles, long-legged ladies, and demons in both human and inhuman form grace the best comic book covers of February 2014. Check out great works of art from Jenny Frison, Andrew Robinson and Kevin Wada - and a double bill from Matteo Scalera.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
In advance of Matt Fraction and Joe Madureira's upcoming Inhuman series, this week Marvel released a new hardcover edition of the highly-regarded Inhumans by Paul Jenkins and Jae Lee. The twelve-issue Marvel Knights book, which won the 1999 Eisner Award for “Best New Series,” brought a new level of sophistication to the Lee/Kirby oddballs, activating in them the dormant metaphors of class separation and the coming-of-age ritual. At a time when superhero books seemed to be improving at an explosive rate, Inhumans was one of the most-talked-about comics on the stands; it’s certainly one of Marvel’s defining books of the era, and for most of its run, it was one of my favorites. But there’s something about it that keeps me from labeling it a classic. To quote Maximus the Mad, “there is a flaw.”
Were you looking forward to the team behind the classic 1980s Justice League International getting back together for Justice League 3000? Then skip this post if you don't want to have your hopes crushed. On Thursday, artist Kevin Maguire tweeted, "I think I was just fired," and today, DC Comics confirmed it, naming Howard Porter as the book's new artist.
A very enormous Superman movie opened recently, and the Man of Steel's publisher DC Comics is availing itself of the occasion to launch some new projects designed not just to entertain its existing readership but to welcome Man of Steel viewers intrigued by what they’ve seen on screen. We already discussed the first issue of Superman Unchained, the new series by DC superstars Scott Snyder and Jim Lee, and this week saw the debut of Batman/Superman, billed as the story of the first meeting of the Dark Knight and the Man of Steel. The book is written by recent DC recruit Greg Pak, a ComicsAlliance favorite for his work on Marvel books like Planet Hulk and Hercules, and artist Jae Lee, the former Dark Tower illustrator and popular cover artist who raised his game immensely with the visually stunning contributions to the controversial Before Watchmen project.
As was the case with Superman Unchained, the pairing of Lee and Pak has drawn some lapsed DC readers back to see what’s become of the World's Finest since their New 52 makeovers. It is mainly from the perspective of that New 52 n00b that we contemplated this auspicious new issue and noted the following Very Important Things.
Of all the all the superhero comics restaffed and relaunched as part of the Marvel NOW initiative, I think Captain America is the one that most lives up to the bold promise of an all-new, all-different direction. Written by Rick Remender and illustrated by John Romita, Jr., Klaus Janson and Dean
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