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James Stokoe

Best Covers Ever (This Year): IDW 2016 Edition

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In the latest of our galleries celebrating the best covers of the year, we're looking at the best covers from IDW.

IDW maintained its impressive and diverse line of licensed properties in 2016, from Ninja Turtles to Little Ponies, as well as ambitiously expanding and collating its Hasbro properties under the "Revolution" banner, and reviving and reinventing the Micronauts, M.A.S.K., and Rom.

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Best Covers Ever (This Year): Image Comics 2016 Edition

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The end of the year is a time of reflection in many ways, and that often means thinking about and assessing what the very best releases in any particular medium were. As we prepare to cross the threshold into 2017, we've been collecting some of the best covers of the year by publisher for your perusal, and today we're looking at fifty of the best comic book covers released from Image Comics in 2016.

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My Favorite Monster: Seeing The God In Godzilla [Fantasy Week]

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Who else but Godzilla deserves the title of favorite monster? Sure, there are lots of great contenders, like werewolves, and Dracula, and the Creature from the Black Lagoon. But the Xenomorph and Predator could team up and even they could not topple Godzilla. She has had one of the longest lives of any monster in the world.

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Strip Panel Naked: Playing with Panel Gutters In ‘Moon Knight’ #7

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Jeff Lemire’s current run on Moon Knight has been interesting, and it’s clear that he’s going all out to tell a unique version of that character and story. But what’s immediately catches your attention across both arcs of this new run is the art --- first with Greg Smallwood and now Francesco Francavilla and James Stokoe. Among a lot of superhero/”big two” books, it’s been consistently inventive visually, and the current run is no different.

The thing I wanted to specifically talk about with the latest issue, Moon Knight #7, is the panel borders --- but bear with me. Both Stokoe and Francavilla are making really subtle modifications to how they outline their frames, and it all comes down to a way of controlling the reader’s pace and understanding.

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No One Will Hear You Scream As James Stokoe Takes On ‘Aliens’ In ‘Dead Orbit’

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James Stokoe, the creator of Orc Stain, knows a few things about monsters, so it's apt that he's taking on the Aliens franchise as writer and artist on Dead Orbit, a four-issue miniseries from Dark Horse that launches April 26, 2017.

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Comics Podcasting Gets Event Fever for ‘Secret Convergence on Infinite Podcasts’

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At the end of the month, nine popular comics podcasts will take part in a huge crossover event called Secret Convergence on Infinite Podcasts. It's an epic undertaking that crosses between shows including Wait, What?, House to Astonish, War Rocket Ajax and Rachel & Miles X-Plain the X-Men.

Each show will tie-in for one episode, in which guests from the other shows intervene and take part in the discussion. Each show focuses on a different, criss-crossing topic relating to the world of comics, including 'Guilty Pleasures', 'Complex Continuity', and 'The Comics We Share'.

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Exclusive: Xemnu, Poker Face, Yeti and More Rampage Through Marvel’s Kirby Monster Covers

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Marvel is getting monstrous this October with 26 variant covers featuring some of the finest creation of the true King of Monsters, Jack Kirby. Each cover features a brand new rendition of a classic Kirby monster by one of the finest artists in today's industry, and we have the exclusive reveal on four of the best, from Dan Brereton, Phil Noto, Marguerite Sauvage, and James Stokoe.

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With Impetuous Recoil and Jarring Sound, James Stokoe Returns to IDW for ‘Godzilla in Hell’ this July

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In news that only solidifies the idea that comics are the greatest medium of all time, IDW is planning to publish a series that in just three words renders all other stories forever meaningless. Those three words? Godzilla. In. Hell.

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Best Art Ever (This Week): Speed Racer, Powers, The Brak Show, Breaking Bad And More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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James Stokoe Talks ‘Avengers 100th Anniversary Special’ And The Next 50 Years Of Comics [Interview + Exclusive Art]

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As you may have noticed from all our recent Batman '89 content, comic books are pretty big on celebrating anniversaries. There's only one problem: You sort of need to wait for those anniversaries to actually happen, and we as readers have never been all that great with the concept of patience. I mean, does anyone really want to wait around until the 2060s to celebrate the centennial of Stan Lee and Jack Kirby's Marvel Age of Comics?

Marvel Comics certainly doesn't, which is why they're gearing up for a series of 100th Anniversary Specials, set to be released next month -- 50 years before those anniversaries actually happen. For the Avengers, Marvel's tapped Orc Stain and Wonton Soup cartoonist James Stokoe to reveal the future of Earth's Mightiest Heroes.

Today, we've got an exclusive look at Stokoe's characteristically frenzied, hyper-detailed pages from the upcoming one-shot special, which includes such compellingly weird concepts as an Avengers team made up of Beta Ray Bill, Rogue and Doctor Strange; a sentient Stark Tower; an America lost to the Negative Zone; and the Mole Man -- because the Mole Man has always been weird enough. We spoke to Stokoe about why he chose the heroes and villains to populate the Avengers of 2061, and what he sees for comics as a business in the next 50 years.

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