Writer Jason Aaron has carved out his own super-opera on Marvel's Wolverine And The X-Men title, somehow enduring the vicissitudes of crossovers and events and even a line-wide relaunch (that paradoxically left the nineteen-month-old, thirty-one-issue book one of Marvel's longest running titles, and Aaron himself with the distinction of having produced one of the publisher's longest uninterrupted runs by a single writer). And he seems to be having a lot of fun.
Last year Marvel launched Infinite Comics, a digital comics initiative designed specifically for mobile devices, for the purpose of creating content meant to take advantage of the creative and technological opportunities those devices provide. The idea behind
With the 300th and final issueof Vertigo's Hellblazer, out this week, several tumblers shift and lock into place. John Constantine moves to the New 52 on a full-time basis, with a new title beginning in March; the reset button is pushed on his continuity, and the most writer-driven character of the last thirty years is yanked from the comfort and promise of a Mature Readers label and forced to grow up again in a PG-13 world; and the longest-running title in the Vertigo line concludes a twenty year run, as the imprint focuses exclusively on creator-owned comics. It's a sad time for misfits everywhere, as Hellblazer is o
The recent cancellation of Superman Family Adventures left a lot of readers -- especially those around here -- gnashing their teeth over another blow against fun, all-ages adventure comics. If you're on
Marvel Comics announced on Wednesday Thanos Rising, a new miniseries by Jason Aaron and Simone Bianchi that will offer what would appear to be an authoritative, modern origin of the cosmic villain who was introduced to millions of moviegoers in the closing moments of The Avengers. Beginning in April, the story of Thanos' rise to p
I love Wolverine and the X-Men. I've said before that it's as close to my idea of what the X-Men should be as anything else I've ever seen, but over the past three months, it's gotten even closer. The characterization is strong
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon. It was a busy a
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon. It was a busy a
In this week's episode of War Rocket Ajax, we welcome Jason Aaron back to the show to talk about his new work with Esad Ribic on Thor: God of Thunder! Plus, he talks Wolverine and the X-Men and more, and this time, he's not in danger of dying due to a gas leak. You can listen to the whole show right
Alan Moore has lost a few friends, and fans, in recent years. The legendary writer has spent quite some time voicing his vehement opposition to the practices of DC, Marvel, and mainstream comics publishing in general, but what has bothered many is Moore's dismissive tone toward current creators, as he often illustrates that he has little to no regard for the work of any writers who have come up in recent years
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