Best known by his pseudonym Jock, Mark Simpson is one of the most interesting artists in mainstream comics right now. Brought up in the 2000 AD school of British comics and breaking into the American market with The Losers graphic novel series at Vertigo, Jock set a new standard for himself with work on 2011's Batman: The Black Mirror, where his bold and contemporary graphic style contributed to what many fans and critics agree was the most significant Dark Knight adventure in years, not to mention one of the coolest Joker illustrations of all time.
Like many comics illustrators of his skill and increasing popularity, Jock has availed himself of the comics scene's resuscitating fascination with strong artistic visions and is releasing this week Savage Wolverine #9, the first chapter of a three-part arc he both wrote and drew. It's a major career move for Jock but only the latest auteur artist spotlight for Savage Wolverine (following delightfully eccentric work by Frank Cho and Joe Madureira), which in this crucial way is one of Marvel's most important titles.
ComicsAlliance spoke with Jock about his unorthodox take on the mutant also known as Logan, who the cartoonist drops into a vicious otherworldly realm in a story that owes more to tripped out European sci-fi than the X-Men classics of Marvel's past.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
When it comes to the subject of DC Comics' "Villains Month" -- whereby every title in the publisher's New 52 line of superhero books is being "taken over" by a supervillain -- most of the conversation seems to focus on arcane retailing controversies about the initiative's 3-D covers or reader debate about questionable character revamps. What really got our attention was Dial E, the villain takeover issue of Justice League #23.3, a comic that's distinct because it serves as a coda to one of DC's best series in years, the recently concluded Dial H created by China Miéville and Mateus Santolouco about Nelson Jent, a schlubby bro who temporarily becomes a brand new and occasionally universe-traversing superhero when he dials "H-E-R-O" on a mysterious phone-like device. Dial E is an auspicious sendoff for the quirky and acclaimed series, one that features 20 pages each drawn by a different artist. Many of them are ComicsAlliance favorites like Jock, Emma Rios, Frazer Irving, Sloane Leong and. Annie Wu.
Courtesy of DC, we've got advance looks at five artists' pages, but even better, they're without any letterings so you art fans can enjoy their great work without any obfuscations. Additionally we're pleased to preview the first five story pages as well, featuring the words of Mieville and pictures by Mateus Santolouco, Carla Berrocal, Riccardo Burchielle and Liam Sharp.
Launched in 2005 by what was then called DC Direct, the Batman: Black & White statue series is DC Collectibles’ three-dimensional spinoff of the hugely acclaimed, Eisner-winning 1990s comic book anthology edited by Mark Chiarello that invited some of the world’s best and most idiosyncratic artists to express their own uninhibited visions of the enduringly popular and graphically compelling Dark Knight. Like the original book, the Black & White statue line has become a favorite among collectors and illustration enthusiasts for its high quality craftsmanship and impeccable taste in collaborators. Some of the artists who’ve designed for the Black & White series include Paul Pope, Simon Bisley, Eduardo Risso, Mike Mignola, Steve Rude, Alex Ross, Frank Miller, Matt Wagner, Neal Adams, Bruce Timm, Cliff Chiang, Darwyn Cooke, Frank Quietly... the list is very long and almost embarrassingly auspicious.
Having collected numerous DC and Warner Bros. Animation-related statues from the days when they were still licensed out to sculptors like Randy Bowen, the artists of Graffiti Designs and the talents at the much missed Warner Bros. Studio Store, I’m obviously a great admirer of the work of DC Collectibles. There’s something very hard to describe about how a great statue or other three-dimensional representation of your favorite hero can express their true, well, awesomeness in a way that’s utterly distinct from line art or even film or animation. It’s arguable that no collectibles line possesses this power in greater quantities than Batman: Black & White, as the line’s success with fans and creative professionals continues to demonstrate as it releases its fiftieth statue this week, designed by longtime ComicsAlliance favorite Sean Murphy (Punk Rock Jesus, The Wake).
To celebrate the occasion (which also syncs up nicely with the long-awaited return of Chiarello’s beloved anthology, for which a photograph of Murphy’s statue will serve as a variant cover), we connected with DC Collectibles VP - Creative Services Kevin Kiniry and Design Director Jim Fletcher to talk about the history of Batman: Black & White, the possibility of a Black & White villains spinoff, and why so many comic book artists consider working on the line a “badge of honor.”
One of the most memorable Batman covers of the last several years and very arguably one of the coolest Joker images ever created, this famous Jock illustration is finally being offered as a deluxe print that we can hang on our walls.
Each year at Comic-Con, amidst all the chaos, there's one moment that stands out. It's a significant moment that, even if you don't witness it, you remember exactly where you were and what you were doing when you heard it happened. And while I've not taken any kind of formal survey, I feel confident saying that this year, that unforgettable moment happened when writer Christopher Yost closed his eyes and drew Batman with a giant set of balls.
Inspired by the website Blind as a Bat, artist Olly Moss approached a bunch of industry friends at Comic-Con with a task: close your eyes, pick up a marker, and draw Batman. Among those who stepped up to the challenge were Becky Cloonan, Mark Chiarello, Jock, Jhonen Vasquez, Duncan Jones, Mark Buckingham, and many more, and the results are amazing. You can check out a few examples, including Yost's masterpiece, below.
Last week Warner Bros. released details of the highly anticipated 'The Dark Knight Trilogy: Ultimate Collector's Edition.' Featuring blu-ray editions of all three Batman films directed by Christopher Nolan, plus additional literature and numerous other extra features, the box set is a dream for devoted fans of the franchise, and ComicsAlliance has partnered with ScreenCrush to give a copy away for free.
Marvel confirmed this week in a USA Today piece that following Joe Madureira and Zeb Wells' two-issue stint, Savage Wolverine will feature a three-part arc written and drawn by Jock, the great British artist known for his work on Vertigo's The Losers, DC's Batman: The Black Mirror, and numerous covers illustrations throughout the entertainment business. Beginning in September, Jock's story will find Wolverine marooned on an alien world in the distant future.
Yesterday Disney and IMAX debuted prolific comic book and commercial artist Jock's official Iron Man 3 poster. In addition to being just plain more Jock dopeness, it's part of IMAX's concluding "12:01" series, w
Image Comics kicked out the jams last weekend at New York Comic Con, where publisher Eric Stephenson announced loads of new series that once again demonstrated his company's ability to court big name mainstream talents away from Marvel and DC Comics. Image confirmed new work from cr
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