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Joe Quinones

Joe Quinones’ Robin ’66 Challenges Cameron Stewart’s Batgirl For Selfie Supremacy

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If you follow the ComicsAlliance Instagram account, then you already know that we are pretty passionate about selfies. It's one of the reasons that we're actually so excited about seeing all the covers for DC's upcoming Selfie Month, in which the heroes of the DC Universe snap pictures of themselves while they're going about their heroic duty. It's a fun way to inject some much needed levity back into these most colorful characters, and one that fans respond to in enormously positive ways if the reaction to Cameron Stewart's Batgirl is any indication -- and that wasn't even part of the Selfie Month promotion.

This week, one such cover was unveiled that has risen above all the others as possibly the single greatest superhero selfie of all time: Joe Quinones' cover to Batman '66 #14, where Robin the Boy Wonder can be seen snapping a photo of himself with the rotary Bat-Phone.

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Filed Under: , , , Category: Art, DC, Humor, News

‘Black Canary & Zatanna: Bloodspell’ Is The Finest Crossover To Ever Be Based Entirely Around Fishnet Stockings [Review]

Black Canary and Zatanna: Bloodspell, DC Comics

As a fan, I have a pretty complicated relationship with Paul Dini. On the one hand, he's one of the creators of what might be my single favorite thing in the entire world, Batman: The Animated Series, and he's written comics that I genuinely love. That run on Detective Comics, where the Riddler was a Private Eye, where he introduced new characters like the Carpenter? That thing's great. But at the same time, he wrote that story where Hush literally steals Catwoman's heart and holds it for ransom while keeping her alive with a giant heart machine that he built in his garage. I mean, I love "Harley's Holiday" more than most members of my own family, but I also paid good money for Madame Mirage and I'm never getting that back, you know? It's a complicated relationship.

As a result, I approached Black Canary and Zatanna: Bloodspell, the new graphic novel he wrote with artwork by the always amazing Joe Quinones, with a certain amount of trepidation, because I wasn't really sure what I was going to get out of it.

Turns out, this much anticipated book might not be perfect, but it's definitely the kind of Paul Dini story I like and the kind I want to see more of.

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Boom’s ‘Big Trouble In Little China’ #1 Gets Covers By Powell, Quinones, Weston, Dodson And Yonemura Brown

Boom Studios Big Trouble In Little China
Boom! Studios

The last we heard about Boom! Studios' new Big Trouble In Little China comic was back in February, when the publisher wasn't revealing much more than an Eric Powell-drawn teaser image that didn't even show Jack Burton's face.

Now, Boom is showing off a lot more in advance of the first issue's June release. Namely, a slew of covers by Powell, Joe Quinones, Chris Weston, Terry Dodson and Emi Yonemura Brown. Check them all out after the jump!

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Quinones, Wicks, Henderson and More Provide Batman Art For ‘Dark Knight on a Dark Night’ Gallery

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Hub Comics (Somerville, MA) opened its annual Dark Knight on a Dark Night gallery this month, showcasing the work of local Bostonian artists paying homage to the Bat-universe. The Dark Knight on a Dark Night gallery features original Batman-related artwork and mixed media submitted by local artists, including Joe Quinones, Maris Wicks, and Erica Henderson. In keeping up with their yearly tradition of welcoming the gallery on the winter solstice, Hub Comics held an opening reception for artists and fans alike on Saturday, December 21, and ComicsAlliance was there to join in on the festivities.

Check out some of our favorite Batman pieces after the cut!

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Best Art Ever (This Week): Highlander, Terry Gilliam’s Brazil, Julie Newmar, Slick Rick, Watchmen & More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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Best Art Ever (This Week) – CHVRCHES, RoboCop, Corto Maltese, Star Wars & More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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Best Art Ever (This Week): Edward Scissorhands, Hellboy, Go Nagai, Jurassic Park & More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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So That New ‘Batman: Black & White’ #1 Looks Pretty, Pretty, Pretty Cool [Preview]

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Originally launched in 1997, Batman: Black & White was an anthology in which DC Comics editor and art director Mark Chiarello got the best people he could find to draw and write new Batman stories with an emphasis on creative vision -- particularly that of the artists, whose contributions were enhanced both by the Dark Knight's compelling visual presence and the book's colorless format. The first run proved to be an award-winning and influential hit, bringing readers the first Batman work of Jim Lee, inspiring DC Collectibles' most popular line of statues, and leading to similarly tasteful, aesthetically sophisticated and critically acclaimed Chiarello-edited books like DC: The New Frontier, Solo, Wednesday Comics and Catwoman: Selina's Big Score.

Then after the last Black & White short story was published as a backup in Batman: Gotham Knights, Chiarello readied an all-new volume of Batman: Black & White that's basically the same deal but with different creators. As with the original, the new roster is a mix of the top artists of today and accomplished masters, including ComicsAlliance favorites like Joe Quinones, Sean Murphy, Neal Adams, Chris Samnee and Michael Cho, with covers by Marc Silvestri and Phil Noto. The book goes on sale this week but courtesy of DC, you can take an early look at some preview pages below.

 

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The Fishnets Brigade: Dini & Quinones’ ‘Black Canary/Zatanna’ Graphic Novel Confirmed For May 2014 [Preview]

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Promised for years but continually delayed, Black Canary/Zatanna will finally become a reality when it goes on sale in May of next year. Written by Paul Dini and drawn by Joe Quinones, the original graphic novel finds the fan-favorite DC Comics heroines in their more traditional looks and teaming up to bring down a new threat who puts both of their fantastic abilities to the test.

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What’s This?! Harley Quinn Appears In ‘Batman ’66′ #7

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It probably doesn't come as a surprise to anyone that Batman '66 is hands down my pick for the best digital comic going today, but it's always worth repeating. It's the highlight of each and every comics week, and while I've personally been waiting decades for a new story about Egghead, Jeff Parker and Joe Quinones have spent the latest issue bringing in a character who may -- may -- have more appeal to modern audiences.

In this week's Batman '66 #7, they've introduced the 1966 version of Harley Quinn -- or at least, someone who'svery close.

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