If you're getting a sense of deja vu right now, that's because you actually have read this article before. Right before the latest volume of Batman: Black & White began back in 2013, ComicsAlliance published a list of the ten best stories in the celebrated anthology series. But the fourth volume was really, really good, and included some stories strong enough to be considered among the very best.
Making a new version of that same list with just a few replacements would be cheating you, and require me to read my own writing (ecch). So instead, we're just going to stick with the 'ten best' thing. Here are the highlights from the latest volume of Black & White, and a few that were barely edged out of the first list. Will there be another version of this article after the next volume? You bet your ass. We're gonna stay here until we get this right, people.
Hey, have you folks heard about this Hellboy character? It's okay if you haven't -- there's a big #1 on the cover of this comic I just read, so I assume he's pretty new. Trust me, though, he's a character you're going to want to watch, because despite a name that seems pretty lousy the first time you hear it, this is pretty good stuff.
Seriously, though, as much as I love Hellboy and the world of the BPRD (Bureau for Paranormal Research and Defense), I'll admit that I haven't been keeping up with the ongoing adventures over the past few years. I'm sure they're good -- I'm sure they're great, because it's rare that Hellboy isn't, and Hellboy In Hell is viewed very favorably here at ComicsAlliance -- but it's one of those situations where I've fallen behind and it's at the point where there's so much I've missed that it's hard to get back into it.
And that's exactly why I was looking forward to Hellboy and the BPRD: 1952. On sale now, it tells the story of Hellboy's first assignment with the BPRD, which makes it the perfect jumping-on (or in my case, jumping-back-in) point, and not only is it ridiculously good, but it feels fresh and new in a way that's almost impossible for a 20 year-old franchise to pull off.
In the final few hours before San Diego Comic-Con opened its doors to the public for Preview Night on Wednesday, Image Comics Expo took place in an upstairs ballroom at the nearby San Diego Bayfront Hilton, where the publisher welcomed a group of press, creators, and fans to watch as the company announced, discussed and otherwise promote a great variety of upcoming Image titles.
Dark Horse is getting its Comic-Con 2014 announcements started with some very good news from the realm of Hellboy. The blue collar apocalypse beast's heretofore unseen first mission with the Bureau for Paranormal Research and Defense will finally be depicted in Hellboy & The BPRD, and by none other than Alex Maleev from a story by Mike Mignola and John Arcudi.
Originally launched in 1997, Batman: Black & White was an anthology in which DC Comics editor and art director Mark Chiarello got the best people he could find to draw and write new Batman stories with an emphasis on creative vision -- particularly that of the artists, whose contributions were enhanced both by the Dark Knight's compelling visual presence and the book's colorless format. The first run proved to be an award-winning and influential hit, bringing readers the first Batman work of Jim Lee, inspiring DC Collectibles' most popular line of statues, and leading to similarly tasteful, aesthetically sophisticated and critically acclaimed Chiarello-edited books like DC: The New Frontier, Solo, Wednesday Comics and Catwoman: Selina's Big Score.
Then after the last Black & White short story was published as a backup in Batman: Gotham Knights, Chiarello readied an all-new volume of Batman: Black & White that's basically the same deal but with different creators. As with the original, the new roster is a mix of the top artists of today and accomplished masters, including ComicsAlliance favorites like Joe Quinones, Sean Murphy, Neal Adams, Chris Samnee and Michael Cho, with covers by Marc Silvestri and Phil Noto. The book goes on sale this week but courtesy of DC, you can take an early look at some preview pages below.
Published in 1996, DC Comics' Batman: Black and White remains one of the most celebrated anthologies in the history of mainstream comics. Originally a four issue miniseries that was collected into one volume, its popularity spawned similarly styled back up stories in the pages of Batman: Gotham Knights, which led to two more collections.
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon. It was a busy a
Written by Mike Mignola and John Arcudi and drawn by Guy Davis, Tyler Crook and a number of similarly excellent artists, B.P.R.D. Hell On Earth follows the adventures of the Bureau for Paranormal Research and Defense, a variously freakish team of supernatural investigators on a mission
Published between 2004 and 2006, Solo was a DC Comics anthology series with an innovative twist: each issue was created from the ground up by a single cartoonist and collaborators of his own choosing. Edited by DC's head art
On sale this week is Dark Horse Presents #11, the latest issue of Dark Horse's prestigious anthology series. Featuring no distracting advertisements, the 80-page book contains new material by such comics creators as Francesco Francavilla (introducing The Black Beetle), Mike Richardson, Tim Seeley and Victor Drujiniu (introducing The Occultist), John Arcudi and Jonathan Case (introducing The Creep), Frank J. Barbiere and Luke Radl (introducing The White Suits). Additionally, the latest issue features continuations of serials by Steve Horton and Michael Dialynas (new
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