Marvel has announced plans to publish a Miracleman Annual this New Year's Eve that feature the publisher's first original Miracleman story, by the X-Statix team of Peter Milligan and Mike Allred, and a long-lost Johnny Bates story by Grant Morrison, illustrated by Joe Quesada. The book also features a cover by Gabriele Dell'Otto and a variant cover by Bone's Jeff Smith.
Miracleman, originally called Marvelman, was created by Mick Anglo in 1954 as a British analog of Fawcett's Captain Marvel (now Shazam). The character was revived in the early 1980s by Alan Moore as part of the era's deconstruction of the superhero motif, but ownership of the character later fell into a protracted dispute.
Mark Buckingham’s art hasn't just made Fables a classic — it has made it, and comics in general, accessible to reluctant readers the world over. His work on the long-running Vertigo series chronicling the lives of exiled fairy tale characters is simple, but never simplistic, and visually strong without ever sacrificing complexity. From Buckingham’s pen flow wooden soldiers of truly oaken resolve, smart-mouthed witches, rumpled detectives and alcoholic, anthropomorphic pigs, all living and loving in the little slice of New York City they've made their own.
Buckingham has helped propel the Bill Willingham-written series to the bestseller lists over and over again, inspired decadent cosplay and made Fables the kind of work that's beloved by your bag-and-boarding friends and your mom alike. Now, as the story nears its end, Buckingham is preparing to say goodbye the world he so richly imagined. ComicsAlliance found him at San Diego Comic-Con to discuss the fond farewell and what the future holds.
Comics have seized center stage at the venerable British Library in London this summer in an exhibition celebrating the history of British comics and the work of British creators. Subtitled, 'Art and Anarchy in the UK', the Comics Unmasked exhibition places an emphasis on protest, outsider culture, and anti-authoritarian voices.
Curated by Adrian Edwards, Paul Gravett, and John Harris Dunning, Comics Unmasked draws heavily on the British Library's own collection to establish and define Britain's relationship to the comics art form -- stirring up nostalgia, scandal, and some surprising discoveries along the way. And Kieron Gillen's giant head.
Though the response from readers was overwhelmingly positive, last weekend's announcement that Marvel will republish Neil Gaiman and Mark Buckingham's scarcely available work on Miracleman, as well as allow the writer and artist to finally finish their long-incomplete story, led very naturally to one question: what about the Miracleman work of Alan Moore, which is similarly unavailable?
Fortunately, a press release sent out today by Marvel states quite clearly that the publisher will reprint the entire long lost Miracleman run of the 1980s, starting with the work of Moore. The confusion as to whether or not the Moore material would be included stems from the fact that Marvel has not mentioned the writer's name in any press.
At a 'Cup O' Joe' panel at San Diego Comic Con in 2009, Marvel Chief Creative Officer Joe Quesada announced that the publisher had acquired the rights to Marvelman, the character created by Mick Anglo in 1954. A few months later, it was revealed that Marvel would be publishing "Marvelman Classic" reprints, though that would not include the iconic -- and due to their scarce availability, almost mythical -- runs on the character, also known as MiracleMan, from writers Alan Moore and Neil Gaiman. But today, four years after that initial announcement and at another Cup O' Joe panel, Quesada, along with a video message from Gaiman, revealed plans to reprint the Gaiman run with artist Mark Buckingham. Further, it was announced that Gaiman and Buckingham will finally be able to complete their previously unfinished story.
Known for his consistently excellent work on titles like The Twelve, Ministry of Space and Judge Dredd, Chris Weston is one of the most skilled draftsmen in comics. His work is characterized by a tightly rendered style that's often startling to behold, especially on deeply immersive works like The Filth...
Marvel Comics' own tribute to Marvelman hits stores this week in the form of "Marvelman Family's Finest" #1, the first volume in a series of vintage pre-Alan Moore/Neil Gaiman reprints. Legal challenges and ownership questions have kept the hero out of new books for quite some time, but no one has stood in the way of fan art...
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