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Morrison & Burnham’s ‘Nameless’ #1 Comes With Variant Covers By Names Like Tony Moore, Nathan Fox And Jonathan Hickman

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If you've been wanting to read a comic that emphasizes a "long-withheld sneering contempt for our miserable species, with its self-serving, sentimental, suicidal self-delusions and its greedy, willful ignorance," then folks, I have got some good news for you. We are only a few short weeks away from the release of Nameless, the new six-issue Image Comics series from Grant Morrison, Chris Burnham and Nathan Fairbairn, described by Morrison as a straight-up horror comic about the worst that humanity has to offer.

To celebrate that fact -- uh, the release, I mean, not the thing about greedy ignorance and suicidal self-delusions -- Burnham revealed three variant covers for the first issue today, featuring the art of Tony Moore, Nathan Fox, and Jonathan Hickman. A fourth variant has also been commissioned, but they're keeping that secret for now.

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Robbi Rodrgiuez, Rico Renzi And Nathan Fox ‘Wish You Were Here’ With Gorgeous New ‘FBP: Federal Bureau Of Physics’ Collection [Exclusive Art]

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That fan response to Marvel's Spider-Gwen one-shot Edge of Spider-Verse #2 was so profound can be chalked to a number of important factors that we've covered before, but perhaps none as crucial as the exhilarating visuals created by artist Robbi Rodriguez and colorist Rico Renzi. The duo earned praise from us and others for introducing a kind of crackling, almost reckless sense of energy and fun into an already aesthetically diverse Marvel Universe (or alternate universe, as the case may be).

But this came as no surprise to readers of FBP: Federal Bureau Of Physics, the Vertigo series Rodriguez and Renzi launched last year with writer Simon Oliver. FBP's mantra is "the impossible is always possible" thanks to its universe's occasional and frequently catastrophic breakdown of all known laws of physics. It's a premise that allows artists to be artists, and Rodriguez and Renzi dive wildly into their talents for hugely expressive, hypercolored images that -- along with routinely gorgeous covers by Nathan Fox -- have made FBP one of the most visually compelling American comics around at the moment.

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Best Art Ever (This Week): Akira, Princess Zelda, Starman, True Detective, Hannibal and More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Best Comic Book Covers Ever (This Month): May 2014

Best Comic Book Covers Ever This Month May 2014

A great comic book cover has a lot of work to do. It’s both an advertisement and a work of art; both a statement and an invitation. Sometimes they convey character, sometimes mood, sometimes moment. Sometimes they pastiche the classics or pay tribute to the past; sometimes they strive to show us something entirely new. Always they show us a glimpse of somewhere else through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the month that was.

Some familiar cover concepts get inventive new spins in the best covers for the month of May, and we put the spotlight on great work from Dan Panosian, Mike Allred, Ron Wimberly, and Chris Samnee and Matt Wilson.

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Best Art Ever (This Week): The Sopranos, Skrillex, The Tick, Prince, Cowboy Bebop and More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Best Art Ever (This Week): Sandman, Sailor Moon, Wonder Woman, Evangelion, Frozen, Twin Peaks & More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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Casey, Dalrymple, Farinas, Fiffe, Fox, Mahfood, Marra, Rugg And Willumsen To Relaunch Kirby’s ‘Captain Victory and the Galactic Rangers’ At Dynamite

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One of Jack Kirby's most celebrated (if short-lived) post-DC creations is once again getting an all-star treatment from its latest publishing home at Dynamite Entertainment. Coming this July is a new Captain Victory and the Galactic Rangers series from writer Joe Casey and an army of artists including Farel Dalrymple, Ulises Farinas, Michel Fiffe, Nathan Fox, Jim Mahfood, Benajmin Marr, Jim Rugg and Connor Willumsen.

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Comics Alliance Reader Choice Awards: Best Cover Artist

ComicsAlliance Reader Choice Awards

2013 was a great year for comics. It feels like a similar statement is made after every year concludes, but 2013 unquestionably saw exceptional work from several creators, across multiple publishers and genres within the medium. To close out the year, we offered what we felt to be the best comics of the year, highlighting dozens of writers and artists whose creative output we felt deserved to be celebrated.

But now we want to hear from you. Readers often offer us their opinions, via the comment section or social media, as to what they’re enjoying, or what they think we missed. Now we’d like you to let us know with your vote, as this week we’re launching the first annual ComicsAlliance Reader Choice Awards. We’ll have two categories per day throughout the week, and you can vote more than once if you like, though you’ll have to wait an hour at least before coming back to vote again. Voting will be open until February 11 at 10 a.m. EST, and we’ll announce the winners shortly after.

You can cast your vote after the cut for the best cover artist of the year.

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The Best Comic Book Cover Artists of 2013: Part Three

Best Covers of 2013 part 3

 

With hundreds of comics released to stores every month, a great cover can make a big difference. That tiny rectangle needs to grab the eye, set a mood, convey an idea, and entice a reader to pick the book up and look inside. It takes a great cover artist to get all of that right.

ComicsAlliance continues its look back at some of the best cover work in 2013 from some of the most talented cover artists in the industry. This week we pick highlights from the work of Nathan Fox (Collider/FBP), Francesco Francavilla (Black Beetle), Chip Zdarsky (Sex Criminals) and John Paul Leon (The Massive).

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Weird Jobs, Broken Physics And The Inevitability Of Change In ‘Collider’ #1 [Review]

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Collider #1 is an attractive package. And I say package because that's really what this feels like. The way comics work, or at least the way they should work, is with every piece -- script, art, color, and lettering -- working in sync, and when everything is right, you have a good story. Sometimes great visuals carry a mediocre script, and vice versa, but that's not ideal. In Collider, the newest Vertigo series, you have a comic that works: a script from Simon Oliver, art from Robbi Rodriguez, colors from Rico Renzi, letters from Steve Wands and a cover by Nathan Fox, melding together to tell a fun story about weird physics, dangerous jobs, and the inevitability of change.

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