The very idea of All-New Marvel NOW! is to try something new with the company’s legion of characters, and I can imagine that Wolverine presented one of the biggest challenges. People like Wolverine a lot, so putting him in an altogether different situation than readers are used to seeing, or somehow altering the DNA of the character, is risky. There’s a reason DC basically left Batman untouched in the transition to The New 52, after all.
To its credit, the first issue of the new Wolverine series by writer Paul Cornell, penciler Ryan Stegman, inker Mark Morales and colorist David Curiel, takes both of those huge risks. They take Wolverine out of readers’ comfort zone. Unfortunately, it doesn’t really work.
In continuing the publisher's recent trend of restarting titles at #1 for its All-New Marvel NOW initiative, last week Marvel revealed plans for Wolverine #1. Beginning in February, the new Wolverine series will continue to feature writer Paul Cornell, but now he'll be collaborating with new series artistRyan Stegman.
Perhaps best known for his recent work on Superior Spider-Man, launching that title with Dan Slott, Stegman will come on board as the regular Wolverine artist following the conclusion of "Killable," the series' current major storyline. Stegman brings a style that stands in contrast to the work Alan Davis and Mark Farmer are currently producing on the title, but his grittier, thicker line work also seems well-suited for the title.
ComicsAlliance spoke to Stegman about the challenge of drawing one of Marvel's most popular characters, working with Cornell, designing a new supporting cast, and the Wolverine artists that inspire him.
Among the many Marvel Comics characters who are part of the publisher's Marvel NOW relaunch initiative is of course Wolverine. Very arguably Marvel's flagship character, the X-Man also known as Logan appears in see
"Epic" is a word that's often thrown around before the phrase "sword and sorcery," probably because when there are wizards with white beards of formidable length abnd enchanted arms and armor and taverns that serve ale in wooden tankards, the stories that will follow are rarely succinct. Generally,
Vertigo came to NYCC armed with a few announcements and plenty of updates this year, including news that many of its ongoing titles will accelerate its transition to a simultaneous digital and print release schedule beginning in November and continuing through 2012. The panel also
DC Comics' final Comic-Con panel of Saturday focused on the Dark and Edge lines of the forthcoming DC Universe relaunch. On stage for the San Diego crowd were editor Pat McCallum, Swamp Thing writer Scott Snyder, Animal Man and Frankenstein writer Jeff Lemire, Blackhawks writer Mike Costa, Suicide Squad writer Adam Glass, Men of War writer Ivan Brandon, Stormwatch and Demon Knights writer Paul Cornell, Deathstroke writer Kyle Higgins, All-Star Western artist Moritat and I, Vampire writer Joshua Hale Fialkov.
While no major news was announced at the panel, each creator was able to discuss their work in quite a lot of depth, even to the point where there was very little time for a Q&A session with fans. Their enthusiasm was palpable, with many of them discussing the research and themes that went into their books and going
On sale now is the 900th issue of Action Comics, the second-longest running DC Comics title after Detective Comics. The publisher is celebrating the occasion with a 96-page anniversary that includes contributions from noted celebrated Superman fans like Lost co-creator Damon Lindelof; The Dark Knight co-writer David Goyer; Superman: The Movie director Richard Donner; and famous comics writers and artists like Geoff Johns & Gary Frank, Paul Dini, Dan Jurgens, Brian Stelfreeze, Alex Ross, David Finch and Adam Hughes, among others. And of course, Action Comics #900 concludes the thrilling "The Black Ring" storyline by Paul Cornell and Pete Woods, spotlighting Lex Luthor, and begins the series' next big Superman epic.
Check out a preview below.Launched in April of 1938, Action C
Since the earliest days of superhero comics there's been a tug of war between the forces of whimsical adventure and those of grim 'n gritty realism. Now, don't be alarmed, the question of which is the one right and true way to tell a capes and tights story wasn't resolved once and for all this week, so we can all thankfully keep arguing about it.
The dynamic between Batman and the Joker has been explored many times throughout the two characters' histories, but there's another character in the DC Universe who presents almost as intriguing a contrast to the Joker's madness: Lex Luthor. Luthor shares the Joker's me-fir
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