Welcome to the latest episode of ComicsAlliance Presents "Kate or Die," a series of exclusive comic strips created by one of our longtime favorite webcomics cartoonists, Kate Leth! In this episode, Kate takes on the subject of sexual harassment in the comic book industry and the culture of silence that often surrounds it, a topic that's been brought to the forefront as a consequence of recent events.
A couple of weeks ago cartoonist Tess Fowler tweeted that she had been sexually harassed at a comic convention by a well-known comics writer some years earlier. At that time, she did not name the other party. ComicsAlliance's Matt D. Wilson was among those to write about Fowler's widely reported commentary as part of a vital discussion about the culture of misogyny and sexual harassment that pervades the comic book industry, and what might be done to punish offenders and make the industry safer and more inclusive for women.
Earlier this week, after receiving emails from three other women describing similar troubling experiences with the same male comics writer, Fowler chose to identify him by name. The writer is Brian Wood.
Wood has now released a statement admitting to having “made a pass” at Fowler in the past. He denies accusations of harassment and abuse.
In an article posted on The New Republic's website about his controversial body of work, Mark Millar -- the writer of Jupiter's Legacy, Kick-Ass, The Authority, and Superman: Red Son -- was asked about the many depictions of rape in his comics. The writer, whose attitudes toward rape in comics have been called into question in the past, said simply: "I don't really think it matters."
Following the success of the Avengers film, and with Iron Man 3 set to hit theaters next month, the characters who make up Marvels Avengers team are more recognizable than ever. Naturally, the publisher is taking advantage of that fact via merchandise, including the two t-shirts pictured above.
I've been thinking about fake geek girls--or, more, the tenacity with which the geek community has latched on to the bugbear of the fake geek girl. Even in a community with a reputation as argumentative, the intensity and volume of the vitriol directed at the fake geek girl is unprecedented
2011 was a good year for superhero beefcake. Not in comics, of course, but at the movies. And not in terms of quantity, but in terms of quality. What I'm saying is that Chris Hemsworth took his shirt off in
As you -- or your children, depending on your life -- open up your presents to reveal awesome toys this holiday season, it's worth watching this righteous rant by young Riley, who has a few questions for the marketing tactics of toy companies. Namely why
I've been really overwhelmed by the positive response and support I've received from the comics community (and beyond) about my op-ed on female sexuality in the DC relaunch during the last week, and how heartened it made me feel about the possibility for change. This response comic from Shortpacked really hit the nail on the head about how nu-Starfire is in part
Yesterday, two new comic books from the "New 52" relaunch of DC Comics provoked some online controversy: Catwoman and Red Hood and the Outlaws. They were controversial in particular because of the way they depicted women, notably with the aggressively fanfictiony on-panel sex between Batman and Catwoman, and Starfire's transformation into a promiscuous tabula rasa who can't even remember the names of the men she sleeps with, and seeks out emotionless sex with both of the two male main characters while they essentially high five about it.
Since pointing out my issues