To say that Greg Rucka had a profound impact on DC Comics in the 21st Century is underselling things quite a bit. After arriving on the scene in the late '90s, he became one of the few writers to have written all three of DC's biggest characters, with critically acclaimed runs on Action Comics and Wonder Woman. It was on Batman, however, where he made his biggest impact, as one of the writers for the year-long No Man's Land crossover, the relaunched "New Gotham" era of Detective Comics, and cowriter of the enduringly influential Gotham Central.
In part one of our in-depth interview, Rucka discussed his early Batman work including the epic "No Man's Land" megaseries. Our chat continues today as he looks back on becoming the regular writer of Detective Comics, speaking very candidly about trouble with DC editorial, his creation of Sasha Bordeaux, and the comic he and Rick Burchett created that he considers to be a perfect done-in-one issue.
As one might suspect, the major thrust of Thursday's "Spotlight on Bill Finger, Co-Cceator of Batman" panel was that Bill Finger never got the credit he deserved.
Comic-Con's organizers made one big gesture to make up for that, presenting Finger's granddaughter, Athena Finger, with a posthumous Inkpot Award just as the panel got started. The panelists tried their best to heap credit on Finger, too.
Based on a 1976 Detective Comics story by Dennis O'Neil and Dick Giordano, "Appointment in Crime Alley" is a memorable and heartfelt episode of Batman: The Animated Series. Gritty and sorrowful, the episode is centered around the anniversary of Thomas and Martha Wayne's murder in Park Row 30 years ago, and Bruce Wayne's annual appointment to visit the site of their death. We also learn more about Dr. Leslie Thompkins, the longtime friend and colleague of Thomas Wayne who consoled young Bruce on the night his parents were murdered. We realize Leslie's life was also greatly affected by the tragedy, and the two share a unique bond.
Are Bruce and Leslie enacting a healthy coping method by commemorating the Waynes every year in "Crime Alley", or is this a sign of prolonged grief and their inability to move on? In this episode of the Arkham Sessions, we discuss how some people who experience trauma and negative life events can get "stuck" on bad thoughts which keep them from overcoming the tragedies in their lives.
The Batmania of 1989 affected all of commercial entertainment, but perhaps nowhere was the impact felt more than in comic shops and bookstores. The wild success of Tim Burton's movie drove fans to seek out anything Bat-related, and DC Comics was prepared. The publisher had tasked two of its finest creators with producing a comic book adaptation of the film, and Jerry Ordway and Dennis O'Neill's comic became a sensation in its own right. The book was released in two editions (a 'floppy' for newsstands, and a squarebound edition for the book and comic shop market), and both became instant best-sellers.
For reasons explained below, the project was not altogether successful in creative terms, but Batman '89 is nevertheless one of if not the most proliferated comics of its type, occupying space in the collections of a whole generation of readers and fondly remembered as featuring some of Ordway's most exquisite artwork in an already very distinguished career. As part of ComicsAlliance's exhaustive remembrance of of all things Batman '89, we spoke with Ordway about his fascinating and uniquely challenging experience adapting the silver-screen superhero epic back into uncommonly beautiful book form.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
While DC's upcoming Flashpoint event is poised play out across an altered present, the publisher's also got plans to pay tribute to the past this July through August. This afternoon during the DC Nation Live panel at WonderCon, DC Entertainment co-publisher Dan DiDio announced Retro-Active, a wave of one-shots that will pay homage to the spirit of the Batman, Superman, Wonder Woman, Green Lantern, The Flash, and Justice League of America stories of the '70s, '80s and '90s.According to DC, the writer breakd
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