Welcome back to the ComicsAlliance podcast, covering the latest comic book entertainment news topics. Joining Senior Editors Andy Khouri and Caleb Goellner for this episode is CA writer Matt D. Wilson for a conversations about the the keynote address delivered by Image Comics Publisher Eric Stephenson to the ComicsPro Retailer Conference in Atlanta. Stephenson made a characteristically iconoclastic and not altogether unassailable presentation, urging retailers to become community leaders, abandon their support of gimmicky, high-priced publishing practices, and draw a distinction between good and bad comics.
We’ll contrast Stephenson’s remarks with those of Dan DiDio, his counterpart at DC Comics, one of the stop superhero publishers, who in an interview this week confirmed plans to double— even triple-down — on weekly comics, crossovers and 3D covers, publishing strategies that are seemingly exactly the sort of thing Stephenson that criticized.
Image Comics Publisher Eric Stephenson took a shot across the bow at not just Marvel and DC in his address to the ComicsPRO retailers meeting in Atlanta Friday, but also Dark Horse, BOOM! Studios and other s, denouncing the practices of renumbering series, event comics, gimmick covers, licensed comics based on cartoons and films, and charging up to $7.99 for an issue.
One of the most significant -- and to many readers, one of the most exciting -- developments in comics in the last few years has been the growth of Image Comics, with many of the most popular writers and artists in the industry currently producing much, if not all, of their creator owned work through the publisher. As such, Image Expo has become a highly anticipated event, as publisher Eric Stephenson uses the annual show to announce several upcoming books from both established and new talent.
Today's Image Expo continued that tradition, as more than a dozen new titles were announced, from Ed Brubaker, Grant Morrison, Kelly Sue DeConnick, Chris Burnham, Matt Fraction, Rick Remender and more.
2013 was a great year for comics. It feels like a similar statement is made after every year concludes, but 2013 unquestionably saw exceptional work from several creators, across multiple publishers and genres within the medium. To close out the year, we offered what we felt to be the best comics of the year, highlighting dozens of writers and artists whose creative output we felt deserved to be celebrated.
But now we want to hear from you. Readers often offer us their opinions, via the comment section or social media, as to what they’re enjoying, or what they think we missed. Now we’d like you to let us know with your vote, as this week we’re launching the first annual ComicsAlliance Reader Choice Awards. We’ll have two categories per day throughout the week, and you can vote more than once if you like, though you’ll have to wait an hour at least before coming back to vote again. Voting will be open until February 11 at 10 a.m. EST, and we’ll announce the winners shortly after.
You can cast your vote after the cut for the best editor of the year.
Hiatuses kill me. When a great comic book reaches out and touches all those nodes of pleasure in my brain on a regular basis, I come to expect the hit. When that hit suddenly doesn’t come when it’s supposed to, when the next issue is listed in the solicitations only to get pushed back again and again, that expectation grows from an anxious wiggle of electricity in my brain into a full-blown itch, and the longer the wait goes on, the more I want to push my fingers into my head and scratch it. Try as I might, I can’t recall a recent book that’s given me that itch, that’s instigated that want more than Image Comics’ Nowhere Men. Eric Stephenson, Nate Bellegarde, Jordie Bellaire, and Fonografiks are creating one of the most intelligent, experimental, and beautiful comics today, and after an absence of several months, this week it finally returns.
Last Tuesday comics writer Brian K. Vaughan announced that Apple declined to sell the latest issue of his and Fiona Staples' hit Image Comics series Saga in its iOS App Store market on account of depictions of gay sex acts. The
For those of you unfamiliar with the deep inner workings of direct market distribution -- also known as "the business of comic book stores" -- ComicsPro is an influential trade organization of comic book retailers whose focus is to advocate for its members in matters of business, promotion and other concerns unique to those from whom most of us buy comics. At the beginnin
Image Comics is currently undergoing both a critical and commercial renaissance, with the likes of Prophet, Saga and Fatale winning over readers new and old, and a whole slew of new books from the likes of Matt Fraction, Greg R
Comic-Con 2012 has featured a few big announcements from several publishers. Not to be outdone, Image dropped a few of their own. At their panel on Saturday, Editor-in-Chief EricStephenson was joined on stage by Matt Fraction, Joe Casey, Darick Robertson, Kelly Sue DeConnick, Howard Chaykin, Chris Roberson, James Robinson and Greg Rucka, each of whom will be doing new projects for the publisher in the coming year.
Stephenson opened the panel by himself and announced a f
A common complaint from comic book fans about a number of creator-owned comics is that they're little more than "movie pitches with pictures," but as Image Comics publisher Eric Stephenson asks, what's so wrong with that, exactly...?"Let's pretend for a moment th
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