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JH Williams III

J.H. Williams III And Todd Klein Produce A Comic-Con Exclusive Poster For The CBLDF

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A lot of companies have produced exclusive merchandise for next week's Comic-Con International in San Diego, but very few of them are for as good a cause as the limited edition print that J.H. Williams III and Todd Klein have produced for the Comic Book Legal Defense Fund.

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J.H. Williams III Draws Blondie For The Band’s New ‘Ghosts Of Download’ Album

Ghosts of Download art by J.H. Williams III

I'll admit that when I heard that J.H. Williams III is doing art for Blondie, I was more surprised than anything else. I mean, I'm as big a fan of Williams as the next person, and if there's anything we've learned from his work on books like Batwoman, Promethea and Seven Soldiers, it's that he can provide pretty beautiful art in a variety of styles. I just never expected him to turn his talents to the world of a three-panel newspaper strip is all. That said, I am pretty stoked about seeing him draw one of Dagwood's signature massive sandwiches. Can you imagine the detail --

What? Oh, he's doing art for Blondie the band? Yeah, that makes a lot more sense.

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Filed Under: , , Category: Art, Music

Best Art Ever (This Week): Arcade Fire, the Fresh Prince, Humpty Hump and More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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Best Art Ever (This Week): DC Princesses, Taxi Driver, The Wire & More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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[UPDATED] Second Issue Of ‘The Sandman: Overture’ Delayed Until February 2014

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UPDATE (11/12/13]: Sandman: Overture writer Neil Gaiman has accepted the majority of blame for the delay. He wrote on his blog:
We’re both really sorry about the delay. It’s unprofessional, and is mostly due to the giant signing tour I was on from June, and me not getting script written on the tour, with knock-on effects. We’re hoping it’ll be the only delay though.
 

ORIGINAL STORY CONTINUES:

From all indications, the first issue of Sandman: Overture, the much-anticipated return of writer Neil Gaiman to the character he co-created back in 1989, has been hugely successful. Drawn to great acclaim by JH Williams III, the issue came in at No. 8 on the October sales charts, giving Vertigo a rare top-ten book.

Which makes it all the more disappointing that the six-issue series won't be making its announced bimonthly schedule. ComicsAlliance has confirmed that issue #2, which was scheduled to come out in December, has been pushed back to February of next year.

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Dream Job: Artist J.H. Williams III Talks ‘Sandman: Overture’ [Interview]

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Among its many other honors, Vertigo’s The Sandman has the distinction of being the portal through which a huge number of readers got their first look at a theretofore mysterious and unseen artifact: an actual comic book script. Available in numerous editions and formats now but Initially published in 1991 as a supplemental feature in the Dream Country paperback, writer Neil Gaiman’s script for the Shakespearean “A Midsummer Night’s Dream” chapter revealed the writer’s deference to his artistic collaborator Charles Vess. Gaiman’s words expressed a deep understanding of comics as a visual medium and Vess’ strengths as a master illustrator, with panel descriptions reading less like mechanical instructions in a script and more like helpful suggestions in a letter. The process, overseen by Sandman editor and Vertigo imprint founder Karen Berger, was a resounding success, winning the issue (#19 in The Sandman’s original run) a World Fantasy Award.

Throughout the history of The Sandman, Gaiman has maintained this close collaboration with artists; always challenging them with his variously dark, funny, intimate and horrific visions, but always building in opportunities for strong storytelling and the delightful idiosyncrasies that define the best comic books and comic book artists. Some of them include P. Craig Russell, Chris Bachalo, Milo Manara, Sam Kieth, Dave McKean, Marc Hempel, Matt Wagner, Jill Thompson and Bill Sienkiewicz. Even the great Japanese illustrator Yoshitaka Amano was drawn to the Sandman’s realm of the Dreaming (albeit not in the form of a comic but an award-winning illustrated novel, The Dream Hunters).

Gaiman understands how much of The Sandman’s -- of all great comic books’ -- power comes from the image, so it was honestly not a surprise to hear that Gaiman’s collaborator for The Sandman: Overture, a 25th anniversary celebration of the enduringly popular series, would be the great JH Williams III. It was, however, a surprise to see just how far Overture exceeded expectations.

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DC Comics And ‘The Normal Course Of Business’ [Opinion]

Art by Alex Ross
Art by Alex Ross

It's a rough time to be a fan of DC's comics. The publisher has made so many problematic moves in the past couple of years that the brand is now as strongly associated with disgruntled talent and unhappy readers as it is with iconic characters like Superman and Batman.

In the wake of the inauspicious departure of the Batwoman creative team of J.H. Williams III and W. Haden Blackman, I intended to write something about DC's editorial troubles. I got as far into the opening paragraph as noting, "I have to write quickly because there'll be another fiasco along any minute," before another fiasco came along - the Harley Quinn try-out controversy.

At this stage, talking about any individual incident at DC as a blip seems too narrow. A good week is now a blip for DC. The company has profound problems, and the question we have to ask is, can it be fixed?

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JH Williams III & W. Haden Blackman Leave ‘Batwoman’ Over Editorial Edicts

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In a posting to JH Williams III's website late Wednesday night, the acclaimed artist and his Batwoman co-writer W. Haden Blackman announced that due to what they described as a preponderance of "eleventh-hour changes" to stories that had been planned a year or more in advance, they're walking off the book. Among the grievances alleged by Williams and Blackman was publisher DC Comics' refusal to allow principal characters Batwoman (aka Kate Kane) and her fiancé Maggie Sawyer to get married.

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Filed Under: , , , Category: DC, News

BEHOLD: Dave McKean’s First ‘Sandman’ Cover In Years And A New ‘Overture’ Page By JH Williams III [SDCC 2013]

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Vertigo's The Sandman prequel by Neil Gaiman and JH Williams III is DC Comics' biggest publishing story of the year, so we can expect more and more items like this Entertainment Weekly piece in which one or two tantalizing images are released over a period of months. Normally this would be kind of annoying, but the truth is it is very good news that Gaiman and Williams are revisiting the early Sandman era and telling the story about what the titular lord of dreams was actually up to before his capture at the start of the classic series, and every teased image will be beautiful -- especially if they happen to be created by classic Sandman cover artist Dave McKean.

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Thinking About Brian Stelfreeze’s ‘Day Men’ And The Reascension Of The Comic Book Artist

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On sale this week from BOOM! Studios is the first issue of Day Men, a new series that introduces readers to the human helping hands of the violent vampire elite who rule the world in secret. Written by Matt Gagnon (Freelancers) and Michael Alan Nelson (Supergirl), Day Men is a cool organized crime-tinged take on the enduringly popular vampire genre, but the major selling point for the series is that it marks the return to monthly comics of one of the American industry’s most talented but elusive artists: Brian Stelfreeze. Does the final product live up to the auspicious occasion? Yes and no, but that it exists at all might be more important.

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