It's a very interesting time to be a Valiant comics fan. While the company's roster is made up of titles that revive the classic Valiant properties of the 1990s, they've proving to be anything but predictable in terms of content and presentation. Over the last six months alone, they've launched insane promotional campaigns, kicked off major crossover events, brought back long-time favorite creative teams, announced new projects from major creators, and gained acclaim for a publishing approach that seems more or less like "bring in topnotch talent, let them work their magic, and have fun".
Later this year, the company will release its first book named for an character that didn't have a counterpart in the '90s Valiant line: Punk Mambo #0, a special one-shot issue written by Peter Milligan and drawn by Robert Gill focusing on the mohawked voodoo priestess first introduced in the pages of Shadowman. Described by Valiant as the story of how Punk Mambo migrated from crusty British high society to the dark world of American voodoo, and how she returns to her origins to discover "the punks and the voodoo priests she used to know have cleaned themselves up, and she’s a loud, belching ghost from their past, come to break in the new furniture…and break some faces!"
ComicsAlliance readers are getting the first look at three different covers to issue #0, and an exclusive conversation with writer/creator Peter Milligan about his plans for the character and her
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Canada is comics’ secret super-power. As far back as 1938, when Toronto-born Joe Shuster created Superman with Cleveland’s Jerry Siegel, Canada has been a vital partner -- a Wild Child to America's Sabtretooth. (Age of Apocalypse version.)
”We have so many great artists and writers to choose from, it’s such an embarrassment of riches,” says Ty Templeton, a writer and artist who has worked for most major publishers and on most big name characters, and who knows just about everyone in the business. When he says Canada's creative community boasts an embarrassment of riches, he knows what he's talking about. So on this beautiful and proud Canada Day, we at Comics Alliance have to ask; why hasn't a Canadian creative team ever taken on Canada's best-known superhero team, Alpha Flight?
There are certain phrases that have a special resonance for a Marvel kid like me. "Pocket dimension." "Lift (press)." "Marital status: unrevealed." This is the language of the Official Handbook of the Marvel Universe, and I used to pore over the pages of those little encyclopedias like I thought there was an exam coming. (I woul
Frequency of Publication: Monthly Ongoing Series
Retail Price: Cover A/B/C - $3.50
Author: Robert Rodi (Rogue, Loki, Elektra)
Concept by Steven E. De Souza (Die Hard screenplay writer)
Artist: Matt Merhoff
A – Joe Jusko
B – Ryan Odagawa
C – Tim Seeley
Her identity established, the enemy identified, and the goal set... Sheena's read
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