As one might suspect, the major thrust of Thursday's "Spotlight on Bill Finger, Co-Cceator of Batman" panel was that Bill Finger never got the credit he deserved.
Comic-Con's organizers made one big gesture to make up for that, presenting Finger's granddaughter, Athena Finger, with a posthumous Inkpot Award just as the panel got started. The panelists tried their best to heap credit on Finger, too.
Michael Uslan's name might not be known to most comic book fans, but he is probably one of the most important figures in the cinematic history of superheroes. He obtained the film rights to Batman in the late 1970s, spent ten years fighting to bring a project to fruition, and since the completion of Batman '89 twenty-five years ago has been credited as producer or executive producer on every major cinematic Bat-project since (including Batman: The Animated Series, Mask Of The Phantasm, the Christopher Nolan trilogy of Dark Knight blockbusters, and the upcoming Batman v Superman: Dawn Of Justice film). He's a life-long comic fan, a pop-cultural historian, a conversationalist, and an author (his memoir, The Boy Who Loved Batman, is an essential read for anyone interested in comics and comic-influenced media).
As the man largely responsible for Batman '89 existing at all, there's no person better suited to tell not just the story of the film's production, but the long and winding path the project had taken over the preceding decade on its way to success. But besides the unusual story behind Uslan's relationship with the Dark Knight on film, the producer told us about his broader goals for Batman and comic books in general, which went far beyond simply making a successful motion picture.
One of my favorite cartoonists, Dave Bullock is well known to comics art collectors and the denizens of artist alley, and in comics has produced covers and illustrated short stories like the standout Deadman piece from Wednesday Comics. Most often he's worked as a storyboard artist and director on such impressive animated titles like Star Wars: The Clone Wars, Batman Beyond, Superman: The Animated Series, The New Batman Adventures and Justice League. Most auspiciously, Bullock directed the Warner Bros. Animation feature Justice League: The New Frontier, adapted from the work of Darwyn Cooke, who shares Bullock's affinity for mid-century stylings.
Naturally, Bullock is an ideal candidate for participation in the enduringly popular DC Comics art project that is Batman: Black & White, which reunites the cartoonist with his Wednesday Comics editor Mark Chiarello for a story that plays to Bullock's mastery of period style and dramatic storytelling. Written by longtime Batman associate Michael Uslan, "The Bat-Man In 'Silent Knight... Unholy Knight!'" takes inspiration from the era and aesthetics of silent film. Given Bullock's filmmaking background, it comes as no surprise that he put together a silent-film-style trailer for his story. What is a surprise is just how well it works, putting the traditional "comic book trailer" to shame.
It appears that you already have an account created within our VIP network of sites on . To keep your points and personal information safe, we need to verify that it's really you. To activate your account, please confirm your password. When you have confirmed your password, you will be able to log in through Facebook on both sites.
*Please note that your points, prizes and activities will not be shared between programs within our VIP network.
Welcome back to Comics Alliance
It appears that you already have an account on this site associated with . To connect your existing account with your Facebook account, just click on the account activation button below. You will maintain your existing profile and VIP program points. After you do this, you will be able to always log in to http://comicsalliance.com using your Facebook account.