Even though it only came out today from First Second, Gene Yang and Sonny Liew's The Shadow Hero is already one of my favorite graphic novels of the year. Through their revival of an obscure Golden Age character called the Green Turtle, Yang and Liew have gone back to tell a story about one of the forgotten heroes of the first wave of American comics, blending a story full of action and adventure with rumors about the true motivations behind what may have been the first Asian-American superhero.
To find out more, I spoke to Yang about how he discovered the Green Turtle, what he hopes comes out of his work on a public domain character, and why he focused on the Green Turtle's relationship with his mom.
There had certainly been plenty of heavily-merchandised blockbusters before, but the Batman '89 phenomenon affected pop culture in so many ways and crept into every dimension of commercial entertainment. Twenty-five years ago, it was just always there; part of the atmosphere of the era, reflected wherever you turned. From candy-filled Keaton heads in supermarket checkout aisles, to endless souvenir magazines on newsstands, to articles in newspapers and magazines, to the packs of trading cards and stickers on countertops, to Batmobile toys in Happy Meals, the entire world had gone Batty.
Twenty-five years later, we've reached out to some of our favorite creators and entertainers to look back on the summer of Batman.
Through its prior two volumes, Image's Liquid City has established itself as one of the most intriguing anthology series on the comics landscape. Though it's only comes out once every couple of years, the collection featuring the work of Southeast Asian creators is nonetheless one of the most beguiling collections of talent largely unknown in the west, and provides a wealth of curious comics in each volume.
This week, the anthology returns with another cabal of creators providing over twenty original stories for the 250-plus-page Liquid City Volume 3. And even though there was a huge leap in quality from the first volume to the second, the newest edition is easily the best in the series.
It's already been a pretty amazing year for original graphic novels with Kyle Starks' Sexcastle being funded on Kickstarter and Box Brown's long-awaited Andre the Giant in stores now, but we're not done getting great comics yet. The latest contender for OGN Of The Year is The Shadow Hero by Gene Luen Yang and Sonny Liew, out this July from First Second.
In their story, they tell one of the most exciting and heartfelt superhero stories I've seen in a while, and they do it by reviving one of the most interesting characters of all time. See, The Shadow Hero is actually a Golden Age character called the Green Turtle, and while his adventures on the page never really caught on, the story behind the character is fascinating -- especially how Yang and Liew use that real life story to shape the one they're telling in the book.
Following the immense critical and commercial success of his two volume epic Boxers and Saints, Gene Luen Yang announced his next project for First Second, The Shadow Hero. Written by Yang and illustrated by Sonny Liew, The Shadow Hero is an origin story for The Green Turtle, a golden age pulp hero who first appeared in 1944′s Blazing Comics #1.
Created by cartoonist Chu F. Hing, The Green Turtle was the first ever Asian-American superhero, and one of the first characters to have an Asian-American creator. The Shadow Hero will be a revival for the character, as he stars in new stories for the first time in decades.
But before its release, Yang and Liew created a preview for the book, first published in the pages of the Shattered Anthology, which Tor.com has just released in full color.
Gene Luen Yang is on a heck of a roll lately. Hot off the heels of his two-volume graphic novel Boxers and Saints, Yang has just announced his next project: A graphic novel with artist Sonny Liew about the first-ever Asian-American superhero.
The new book, The Shadow Hero, offers up an origin story for that character, The Green Turtle, who first appeared way back in 1944's Blazing Comics #1.
I've been a fan of Sonny Liew ever since he provided the art for My Faith In Frankie, a highly overlooked and underrated Vertigo mini-series about the nature of religion, romance, and how difficult it is to get your personal deity and your best friend into a threesome. There's an incredible expressi
On sale in August is Malinky Robot, a new collection of short stories created by Eisner-nominee Sonny Liew (Liquid City, My Faith in Frankie). Each tale stars Atari and Oliver, cute, imaginative kids who serve as our guides on a slice-of-life tour through a lavishly rendered, vaguely dystopian city of the future. The book is a charming and quite beautiful depicti
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