What may go down as one of the worst years in recent memory is slowly crawling to a close, and while we wish it good riddance and hope against hope that 2017 will be an improvement, there is some small solace in looking back over the year that's passed and figuring out what stuff from it was the best. That's right, it's "Best of..." list time, and today we're taking a look at the Best DC Covers of 2016.
What a week! I don’t know about you, but I’m ready to sit back and read some comics. The weekend is finally here, and the world can relax and rest once more — but the comics industry has been busy too, and the last seven days have seen a flurry of comics-based news and announcements fly past at high speed.
ComicsAlliance has got your back with a look at some of the stories you may have missed. New comics, new stories, new podcasts, new art being made — it’s all part of the ComicsAlliance Weekender!
Boom Studios had an impressive 2015, thanks to a stong roster of new titles by exceptionally talented creators --- with standouts that include Welcome Back, The Fiction, Cognetic, Curb Stomp, Diesel, The Spire, Wild's End, and... well, you get the picture. It was a good year.
Tthat must come as a relief to the publisher, because this was also Boom's tenth year in the business, and that put those folks in a partying mood. One notable way they marked the anniversary was with special variant covers that celebrated both their books and the artists working on them. As the clock ticks down on 2015, we've collected the covers together in one gallery for you to enjoy.
Khalid Nassour is having a very bad and very strange week. On the one hand, he's dealing with the normal stuff, like getting ready to start medical school, his father's recent car accident that may have left him permanently blinded, a flood swamping the streets of New York, and an attack by a pack of stray dogs. On the other hand, well, there was a talking helmet that told him he was the new Doctor Fate and charged him with stopping a massive blood sacrifice that may actually be related to all that other stuff.
This week sees a new hero leap weirdly into the DC Universe, as Khalid Nassour finds himself in a desperate flooding city that has no future unless he puts on the ominous helmet of Dr Fate and gets mystical. In the hands of creative team of Paul Levitz, Sonny Liew and Lee Loughridge, the first issue of the new series is a bold, bizarre and brilliant new angle on DC’s superhero canon, throwing the traditional origin story into an off-kilter direction.
When the book was first announced by DC, one of the big surprises was the news that Liew, best known for his work on stories like The Shadow Hero with Gene Luen Yang at First Second, was making the move into work-for-hire heroes. With the first issue now on the shelves, we spoke to Liew about how he got involved with the series, how he views Khalid’s world, and also the recent whirlwind created around his creator-owned project The Art of Charlie Chan Hock Chye.
Next Saturday at the Long Beach Comic Expo the first ever winner of the Dwayne McDuffie Award for Diversity will be named, and today the organizers revealed an impressive roster of nominees that includes a tribute to the first Chinese-American superhero, a blaxploitation revival, and the most prominent Muslim superhero in North American comics.
Muppet Show and Popeye writer/artist Roger Langridge has announced a new series completely of his own creation at Boom Studios, and it looks downright adorable.
Abigail and the Snowman will be a four-issue, all-ages miniseries that focuses on a 9-year-old girl who moves to a small town where she knows no one. She has a tough time making friends, as kids sometimes do, until she meets a yeti named Claude.
Even though it only came out today from First Second, Gene Yang and Sonny Liew's The Shadow Hero is already one of my favorite graphic novels of the year. Through their revival of an obscure Golden Age character called the Green Turtle, Yang and Liew have gone back to tell a story about one of the forgotten heroes of the first wave of American comics, blending a story full of action and adventure with rumors about the true motivations behind what may have been the first Asian-American superhero.
To find out more, I spoke to Yang about how he discovered the Green Turtle, what he hopes comes out of his work on a public domain character, and why he focused on the Green Turtle's relationship with his mom.
There had certainly been plenty of heavily-merchandised blockbusters before, but the Batman '89 phenomenon affected pop culture in so many ways and crept into every dimension of commercial entertainment. Twenty-five years ago, it was just always there; part of the atmosphere of the era, reflected wherever you turned. From candy-filled Keaton heads in supermarket checkout aisles, to endless souvenir magazines on newsstands, to articles in newspapers and magazines, to the packs of trading cards and stickers on countertops, to Batmobile toys in Happy Meals, the entire world had gone Batty.
Twenty-five years later, we've reached out to some of our favorite creators and entertainers to look back on the summer of Batman.
Through its prior two volumes, Image's Liquid City has established itself as one of the most intriguing anthology series on the comics landscape. Though it's only comes out once every couple of years, the collection featuring the work of Southeast Asian creators is nonetheless one of the most beguiling collections of talent largely unknown in the west, and provides a wealth of curious comics in each volume.
This week, the anthology returns with another cabal of creators providing over twenty original stories for the 250-plus-page Liquid City Volume 3. And even though there was a huge leap in quality from the first volume to the second, the newest edition is easily the best in the series.