Around Halloween, there is nothing I like more than a comic where horror elements start to creep in when they clearly have no business being there. I mean, I'll gladly read eighty issues of Tomb of Dracula and I love plenty of comics that are just Hellboy grumping at werewolves, but if you give me a comic where all the spookums and haints show up out of nowhere and start hassling Spider-Man or somebody, I am delighted. That's why I was pretty interested when pal and occasional ComicsAlliance contributor Kevin Church suggested that I add Star Trek #4 to my annual scareathon, mostly because he sold me on it by telling me it was the comic where the starship Enterprise found a haunted house. In space.
He wasn't kidding: This is a Star Trek comic where the Enterprise finds a haunted house in space. And that's after Dracula shows up.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Q: Why do you think the X-Men didn't find their audience until two decades after they were created? -- @godofthunder851
A: I've got a minor quibble with your timing in this question -- it was more like 12 or 15 years, really -- but you've got an interesting point there. I think most comics readers are well aware of that piece of trivia about how the X-Men were about to get the axe before Giant Size X-Men #1 breathed new life into the franchise and set them on the path of becoming what was probably the single most popular and influential franchise of the '80s and '90s, and that's not really how things usually work. In comics, you tend to either come out of the gate to massive, enduring popularity (like Batman or Spider-Man), come out strong and then fade away for whatever reason (like, sadly, Shazam!), or just sort of flounder in the midcard. It's rare that something sticks around on the edge of being canceled for a solid decade before it finds its footing, and nobody bounced back harder than Marvel's Merry Mutants.
But really, what you're asking here is two separate questions: Why didn't the X-Men take off in 1963, and why did they in 1975? So let's look at the history and see if we can't figure it out.
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